Walter Bitner

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Curb Concerto Competition Finalists 2017

2017 Curb Concerto Competition Finalists: (l to r) Maggie Kasinger, Kaili Wang, Chloe Harvel, Daniel Hosny

2017 Curb Concerto Competition Finalists: (l to r) Maggie Kasinger, Kaili Wang, Chloe Harvel, Daniel Hosny ~ photos by Sally Bebawy (click to enlarge)

This past weekend we had the great pleasure of welcoming a dozen teenage musicians into the hall to compete in the annual Curb Concerto Competition. The first round of the competition took place on Saturday, Februrary 25 and the finals round occurred on Sunday afternoon, February 26, which resulted in the selection of this year’s winner, who will perform with the Nashville Symphony at the annual Side By Side Concert with Curb Youth Symphony on May 17. The 2017 Side By Side Concert will be conducted by Nashville Symphony Music Director Giancarlo Guerrero.

This year’s contestants included 6 violinists, 3 pianists, and one student each on cello, harp, and flute. Both rounds of the competition took place on the stage of Laura Turner Hall at Schermerhorn Symphony Center.

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Nashville Symphony EDCE at SphinxConnect 2017

Nashville Symphony Education & Community Engagement staff with Aaron Dworkin, founder of Sphinx and Dean of University of Michigan School of Music, Theatre, & Dance, SphinxConnect, Detroit, February 10, 2017. (l to r) WB, Kelley Bell, Aaron Dworkin, Kimberly McLemore, Kristen Freeman.

Nashville Symphony EDCE staff with Aaron Dworkin, founder of Sphinx and Dean of University of Michigan School of Music, Theatre, & Dance, SphinxConnect, Detroit, February 10, 2017. (l to r) WB, Kelley Bell, Aaron Dworkin, Kimberly McLemore, Kristen Freeman.

Earlier this month – February 9-12, 2017 – our entire Nashville Symphony Education & Community Engagement Department attended the Sphinx Organization‘s 20th annual Competition and 5th annual conference in Detroit, retitled SphinxConnect this year.

We spent an eventful four days attending concerts, interviews, panel discussions, and presentations, several networking (and celebratory) receptions, and other meetings. Some 500 people were there from all over the country (and some from other countries as well), many of whom only see each other a few times per year. The entire conference was imbued with a heady excitement.

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15th Annual Mozart Birthday Concerts

(l to r) Nashville Symphony musicians Gil Perel & Roger Wiesmeyer

Wolfgang Amadeus Mozart was born on January 27, 1756. For the 15th consecutive year, Roger Wiesmeyer’s Mozart in Nashville will present concert celebrations in honor of the Austrian wunderkind’s birthday. As in years past, this year’s events feature an ensemble of local musicians – including members of the Nashville Symphony, free-lance professionals, and amateurs – who will perform two benefit concerts for a local charity featuring music by Amadeus.

This year’s concerts will take place:

Friday, January 13, noon, at St. George’s Episcopal Church, 4715 Harding Road, Nashville.

Monday, January 23, 7 pm, at Edgehill United Methodist Church, 1502 Edgehill Avenue, Nashville.

This year’s concerts feature:

Piano Sonata in B flat Major, K. 333
Roger Wiesmeyer, piano solo

Bassoon Concerto in B flat Major, K. 191/186e
Gil Perel, bassoon solo
Mozart Birthday Festival Orchestra

Proceeds will benefit the Mary Parrish Center for victims of domestic abuse and sexual violence.

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The Hallelujah Chorus

The Nashville Symphony and the Nashville Symphony Chorus gather onstage moments before a performance of Händel's Messiah, December 18, 2016, Schermerhorn Symphony Center, Nashville

The Nashville Symphony and the Nashville Symphony Chorus gather onstage moments before a performance of Händel’s Messiah, December 18, 2016, Schermerhorn Symphony Center, Nashville

Part of a series of articles on
Preparing a School Winter Solstice Performance

This past week the Nashville Symphony performed our annual string of December Messiah concerts. An annual event featuring a different conductor and vision for the performance of this masterwork each year, it is remarkable to me how resilient Händel’s Messiah is, and how much the community here at the symphony -as well as the larger surrounding community of Music City – looks forward to it every year. It’s one of those monuments of the repertoire that has become part of the collective consciousness.

This year’s performance with guest conductor Christopher Warren-Green brought a historically-informed perspective to the performance, with brisk tempi and the incorporation of a theorbist who doubled on baroque guitar to the continuo section. I was thrilled to hear how excited our musicians were about Messiah this year in conversations I had with them (or overheard) during rehearsals. Sitting in the balcony on Sunday afternoon for the final matinee performance, the enthusiasm of the musicians and the audience was palpable. In the exhilaration following the concert I found myself thinking a lot about this remarkable piece of music, and especially one movement in particular – the unique and absolutely one-of-a-kind Hallelujah Chorus – and why and how it occupies such a singular place in our musical culture.

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Education & Community Engagement at the Nashville Symphony: Fall 2016 Review

Kristen Freeman, Kelley Bell, and Walter Bitner, October 17, 2016 ~ photo courtesy of Roger Wiesmeyer

Once again December is here. Thanksgiving is past and the headlong rush to the end of the year has begun. Over the last unseasonably warm months as we waited for fall to come, the Nashville Symphony has continued to fulfill our mission to bring music to the community through our education and community engagement programs, in addition to our multitude of concert offerings. It’s a veritable musical banquet for Music City here at Schermerhorn Symphony Center!

Let’s look back on the activities of our department this fall:

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Nashville Philharmonic Premieres Chris Farrell’s Violin Concerto

Chris Farrell & Jessica Blackwell

Chris Farrell & Jessica Blackwell

Next week the Nashville Philharmonic Orchestra will give world premiere performances of a new violin concerto by Nashville composer Christopher Farrell on the program of their upcoming “Royal Coronation” concerts on December 6 & December 11. Among Nashville’s (now several) volunteer community orchestras, the NPO is the most well-established and performs the most demanding and developed series of concerts each year. These performances will be led by NPO Music Director Christopher Norton and feature NPO Concertmaster Jessica Blackwell as soloist, for whom Farrell wrote the concerto.

Both Chris and Jessica are longstanding members of the Nashville Symphony. I first met them both years ago when I was directing Music City Youth Orchestra: Jessica led sectional rehearsals for our violinists, and Chris taught private lessons to some of our students. I’ve had the great pleasure of collaborating with them on a number of projects here at the symphony over the last couple of years, and was excited to get together with them to talk about the new concerto.

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Felix Wang and the Nashville Concerto Orchestra Perform Michael Rose’s Cello Concerto

Michael Rose and Felix Wang

Michael Rose and Felix Wang

On Wednesday, October 19 at 12 pm, the Nashville Concerto Orchestra will give the first and second performances of Michael Rose‘s concerto for cello and orchestra Sedentary Dances in its full orchestration. Felix Wang – who premiered the concerto in January 2013 in its initial version with Michael playing a reduction of the orchestration at the piano – will again perform the cello solo, and the orchestra will be conducted by Joseph Lee. The concert will take place in the sanctuary of West End United Methodist Church, Nashville.

Last week I spoke with Michael and Felix, and with Roger Wiesmeyer, who is the founder and inspirer for the Nashville Concerto Orchestra – and is so often found at the heart of classical music happenings in Music City.

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Nashville Symphony Seeks Accelerando Manager

AccelerandoPhoto1The Nashville Symphony seeks a full-time Manager for our ground-breaking Accelerando program, to begin employment in January 2017.

Accelerando is an intensive education program designed to prepare gifted young students from under represented ethnic communities for pursuing music at the collegiate level and beyond. Accelerando seeks to create professional opportunities for these students by providing them with instruction, mentorship, performance experience, and assistance with applying for music schools.

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Introducing the Nashville Choral Consortium

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NashChor: Music City’s New Choral Music Resource

“I wished there was one place where I could go to see all the choral events happening in Nashville and Middle Tennessee – church, university, show, evensongs, youth choirs, everything.” says Tucker Biddlecombe.

If you don’t know Tucker you’re probably not a choral singer in Nashville, Tennessee: he is the Director of Choral Activities at Blair School of Music at Vanderbilt, and this fall begins his tenure as Interim Director of the Nashville Symphony Chorus.

“I’ve observed that many times our organizations schedule events on top of one another, significantly reducing our audiences and creating various conflicts for singers.” he says. “I have some web savvy, so I built a new website: NashChor.org, the Nashville Choral Consortium.

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Free Day of Music 2016

 

Here is your interactive, one-stop rundown of the Nashville Symphony’s 11th Annual Free Day of Music. This year’s event will be held on Saturday, October 22, as always at the Schermerhorn Symphony Center.

Performances showcasing more than 20 different musical acts will be held from 11 am to 9 pm on four stages located both inside and outside Schermerhorn.  A diverse array of performers from throughout the community will present a wide range of musical styles including classical, country, rock, jazz, soul, world music and more.  Follow the links to learn more about each performer or ensemble.

 

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