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The Accelerando Overture
Nashville Symphony Accelerando Ensemble under the direction of Enrico Lopez-Yañez rehearses on the stage of Laura Turner Hall, Schermerhorn Symphony Center, Nashville, June 3, 2019 (click images to enlarge)
During the first week of June 2019, the Nashville Symphony hosted the 74th annual National Conference for the League of American Orchestras. This exciting event brought approximately 1200 orchestra staff from across North America, Europe, and beyond for four days of conversations, presentations, concerts, and more.
The League’s Education and Community Engagement constituency – EDCE staff at member orchestras from across the country and beyond – is one of the most active, and it has been my privilege to participate in sessions at several previous conferences with my colleagues. As it was our turn to host these activities this year, we focused a spotlight on the Nashville Symphony’s innovative Accelerando program.
Side By Side 2019
Curb Youth Symphony and the Nashville Symphony perform the annual Side By Side concert, Enrico Lopez-Yañez, conductor. May 7, 2019, Schermerhorn Symphony Center, Nashville ~ photo by Diana Rosales (click images to enlarge)
This year’s annual Side By Side Concert featuring the combined forces of Curb Youth Symphony and the Nashville Symphony on the stage of Laura Turner Hall took place on Tuesday, May 7. Curb Youth Symphony is directed by Carol Nies, and this year’s Side By Side event was conducted by Nashville Symphony Principal Pops Conductor Enrico Lopez-Yañez. As always, we enjoyed sharing our symphony home with many of Middle Tennessee’s most accomplished teenage musicians, as they rehearsed and performed alongside our own Nashville Symphony musicians at this eagerly anticipated special event.
100 Years of Pete Seeger
Pete Seeger (1919-2014)~ click images to enlarge
Today is the one-hundredth birthday of the American musician and activist Pete Seeger – Pete was born on May 3, 1919 in Manhattan. Like all Americans, whether we are aware of it or not, Pete’s life and work has had a profound effect on me, and I am grateful. When he finally left us a little over five years ago at the age of 94, Pete had accumulated a lasting legacy of using music to create positive change in the world that few musicians – or anyone else – can claim to have achieved. We are all so lucky to have shared the world with him.
I was also incredibly fortunate to have the opportunity to perform on stage with him at children’s concerts for Fieldston Outdoors in the early 1990s. Thank you, Pete.
“I Desired To Get Beyond The Seas”: John Dowland, Part II
The Lute Part XV
continued from
“To Attain So Excellent A Science”: John Dowland, Part I
His Adventures Abroad
I bent my course toward the famous prouinces of Germany, where I found both excellent masters, and most honorable Patrons of musicke: Namely, those two miracles of this age for vertue and magnificence, Henry Julio Duke of Brunswick, and learned Maritius Lantzgraue of Hessen, of whose princely vertues & fauors towards me I can neuer speake sufficiently. Neither can I forget the kindnes of Alexandro Horologio, aright learned master of musicke, seruant to the royall Prince the Lantzgraue of Hessen, & Gregorio Howet, Lutenist to the magnificent Duke of Brunswick, both whom I name as well for their loue to me, as also for their excellency in their faculties.
~ John Dowland
The First Books of Songes or Ayres (1597)
“To Attain So Excellent A Science”: John Dowland, Part I
There is no known attributed portrait of John Dowland. This miniature of an unidentified subject, painted by Isaac Oliver (c1565-1617) now in the Victoria and Albert Museum in London was suggested as a possible likeness by Roger Traversac in The Lute Society’s PDF Colour Supplement to LUTE NEWS no. 116, December 2015. “Anno Domini 1590 . . . 27th year of his age” describes this man as the correct age for Dowland, who was born in 1563. (click images to enlarge)
The Lute Part XIV
…happy they that in hell
feel not the world’s despite.~ John Dowland
Flow, my tears
The English musician John Dowland (1563 – 1626) is the central figure in the history of the lute. Composer, lutenist, songwriter, translator, publisher, traveler, academic – four centuries later, Dowland appears larger than life, and in many ways his dreams and accomplishments eclipse those of his contemporaries. Yet Dowland was very much a man of his own time, and his ideals and struggles reflected the concerns, crises, and aspirations of the Elizabethans even as his music expresses universals that resonate deeply with musicians and audiences today.
Simone Molinaro
Title page, Simone Molinaro: Intavolatura di Liuto Libro Primo, Venezia 1599 (click images to enlarge)
The Lute Part XVII
Simone Molinaro (c 1570 – 1636) was the leading musician in Genoa when the Most Serene Republic was at its height of wealth and power. In the early decades of the seventeenth century, he served Genoa first as maestro di cappella at the Cathedral of San Lorenzo, then as court musician and eventually maestro di cappella di Palazzo – the chapel of the ducal palace. Molinaro was the most prolific and highly esteemed composer in the Genoa Republic, and published many volumes of his own works as well as anthologies and collections of compositions by his contemporaries, including the first printing in score of Gesualdo’s five books of five- and six-voice madrigals.
In addition to being a composer and chapel master, Simone Molinaro was a lutenist, and in 1599 published one of the most highly esteemed volumes of music for the lute to appear during the Renaissance.
Blair School of Music: Adult Summer Chamber Music Institute 2019
Adult Summer Chamber Music Institute 2018, Blair School of Music, Vanderbilt University, Nashville
For the third year in a row Vanderbilt University’s Blair School of Music will host the Adult Summer Chamber Music Institute in July. The only program of its kind in our area, this four-day celebration of chamber music brings together adult amateur string players with some of the finest string music educators in Nashville. It’s an exciting opportunity for chamber music enthusiasts that continues to grow in popularity and program offerings each year:
The 2019 Schermerhorn Invitational Choral Festival
The Nashville Symphony presents The Third Annual Schermerhorn Invitational Choral Festival, Dr. Tucker Biddlecombe, director. March 25, 2019. (click images to enlarge)
On Monday, March 25, 2019 the Nashville Symphony was thrilled to host The Third Annual Schermerhorn Invitational Choral Festival at the hall under the direction of Dr. Tucker Biddlecombe, Director of the Nashville Symphony Chorus and Director of Choral Activities at Vanderbilt University’s Blair School of Music. Six choirs from Middle Tennessee public high schools gathered for a day of music making with each other and Nashville Symphony musicians, which culminated in a performance for family and friends at the end of the afternoon.
A wonderful time was had by all!
Bach on the Lute: 70 Years of Recordings, Part I
Smith, Hopkinson, 1981-82/1987. Johann Sebastian Bach: L’œvre de Luth. Auvidis E 7721. AAD (2 CDs) ~ click images to enlarge
The Lute Appendix iii c
Just in time for Sebastian’s birthday (March 21 or 31, depending on your calendar preference): here is an overview of recordings of his music performed on the lute. While perhaps not complete, I believe that the major recordings that have been released on compact disc are described or at least acknowledged here, and many others besides. (Lute performances available on CD are nearly the only recordings considered here.) I trust that members of the lute community won’t hesitate to let me know what I have missed!
Most of the compact disc recordings referred to in this article (and many more besides) are listed in the discography to this series.
BACHanalia 2019
click images to enlarge
Nashville’s 13th annual Bach festival – our beloved BACHanalia – will be held:
Friday, March 29, 2019 from 4 – 10 pm
Christ Church Cathedral
900 Broadway in downtown Nashville.
This event is one of the highlights of the musical year in Music City.
A broad spectrum of musicians from our unique community come together at this time each year to present this one-of-a-kind six-hour concert-without-pause devoted to Sebastian’s music, generously hosted by our friends at the cathedral in their beautiful sanctuary.
For the last several years I’ve had the privilege of learning of the program and schedule ahead of the event and voila! here it is. It’s hard to believe a whole year has gone by.
