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Blair School of Music: Adult Summer Chamber Music Institute 2018

Adult Chamber Music Institute 2017, Blair School of Music, Vanderbilt University, Nashville

 

Following up on their success last summer, Vanderbilt University’s Blair School of Music will host the second Adult Summer Chamber Music Institute in July. This special four-day program is the only one of its kind in our area (as far as I know) – a unique opportunity for adult amateur string players to come together and make music in an intimate setting with the guidance of some of the finest string music educators in Nashville.

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Side By Side 2018

Curb Youth Symphony musicians (Kaili Wang and Maggie Kasinger, concertmasters) begin rehearsal for the annual Side By Side Concert ~ May 14, 2018, Schermerhorn Symphony Center, Nashville (click photos to enlarge)

On May 15, Curb Youth Symphony and the Nashville Symphony combined forces on the stage of Laura Turner Hall for our annual Side By Side concert. Curb Youth Symphony is directed by Carol Nies, and this year’s Side By Side event was conducted for the second year in a row by Nashville Symphony Music Director & Conductor Giancarlo Guerrero. On Monday and Tuesday last week, we enjoyed sharing our symphony home with many of Middle Tennessee’s most accomplished teenage musicians, as they rehearsed and performed alongside our own Nashville Symphony musicians as we prepared for and enjoyed this much anticipated annual event.

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The Lute at the Court of Henry VIII 

The Lute Part XII

Unknown Man with Lute by Hans Holbein the younger (1497/8 – 1543), Berlin, Gemäldegalerie ~ American musicologist John Ward speculated that this might be Philip van Wilder, but David Van Edwards has cast doubt on this theory here. (click images to enlarge)

When Henry VIII (1491 – 1547) ascended to the throne of England in 1509, the lute did not play the prominent role in English society and culture it would come to hold by the end of the 16th century. In addition to his matrimonial activities, waging war in France, and reforming the church, it is well known that Henry VIII was an enthusiastic musician, and even composer. He invigorated and developed the musical aspects of life at the English court in the first half of the 16th century far beyond what they had been under previous English monarchs, employing dozens of musicians, including lutenists (or lewters, as they appear in contemporary account books).

Before Henry VIII, the English court was still heavily influenced by Burgundian culture, and use of the harp superseded the lute there until the end of the 15th century. The lute rose to prominence in England by the second half of the 16th century, lagging behind much of the continent by a couple of generations.

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Voices of Hope

 

On March 26, the Nashville Symphony in partnership with the Tennessee Holocaust Commission presented Voices of Hope, the Second Annual Schermerhorn Invitational Choral Festival. This special, free education and community event was designed and presented this year as part of Violins of Hope Nashville.

Voices of Hope convened student choirs from local public schools, private schools and religious organizations under the direction of Dr. Tamara Freeman, an internationally acknowledged Holocaust ethnomusicologist. Dr. Freeman worked with each choir and director individually in the weeks and months leading up to the event. All of this preparation culminated in the festival: a day of rehearsals and a free performance open to the public.

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BACHanalia 2018

The 12th annual BACHanalia – our city’s annual Bach festival – will be held on Friday, March 16 from 4 – 10 pm at Christ Church Cathedral, 900 Broadway in downtown Nashville. Once a year, musicians from many parts of our community come together to present this unique six-hour concert-without-pause devoted to Sebastian’s music, generously hosted by our friends at the cathedral in their beautiful sanctuary.

BACHanalia is one of the highlights of the musical year in Music City.

Once again this year, I was given a special glimpse of the program in advance of this year’s concert, which I leak to you here, Off The Podium readership. We’re in for a tremendous evening of music-making!

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Friday Music Puzzle

I blame the New York Times Crossword Puzzle habit I picked up last year for this, and I blame my friend Roger Wiesmeyer. Don’t give it away, Roger!

The first person to post the correct solution in the comments below will be awarded a free subscription to Off The Podium. Please don’t spoil this for others by posting solutions in the comments fields on social media – post your solutions in the comments directly on this blog.

 

Solve:

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Collaboration: The Association of British Orchestras Annual Conference 2018

Wales Millenium Center (click images to enlarge)

Continued from
Three Days in London

It was the second week of September, 2017 – the week after Labor Day here in the U.S., which is the traditional opening week for orchestras across the country. In Nashville, we were preparing for our Symphony Gala – a grand, festive event that opened our season this year with the incomparable John Williams conducting the Nashville Symphony in a concert of his own works. Symphony offices were already bustling with activity in preparation for this and so many other aspects involved in kicking off the new season.

I was already in a state of excitement when an email arrived in my Inbox from Mark Pemberton, Director of the Association of British Orchestras inviting me to speak at their upcoming conference in Cardiff, Wales.

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Three Days in London

 

Trafalgar Square (click images to enlarge)

Warning: long, self-indulgent travelogue and photo essay

Not entirely Off Topic

Last week I traveled to the United Kingdom to attend the Association of British Orchestras annual conference, held this year in Cardiff, Wales. I was very fortunate to be able to arrive a few days early so I could spend some time in London.

It was my first visit to the U.K., and I packed as much into it as I could. I logged 46,699 steps in those three days in London, exceeded the fare cap on my Oyster card each day with trips on buses and the Underground, saw places and relics for the first time that have lived in my imagination since I was a child, and was reunited with old friends I haven’t seen for decades. It was thrilling.

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The Italian Concerto

 

In 1735, when Sebastian was 50 years old, he published his second volume of keyboard works, Clavier-Übung II (“Keyboard Practice II”). It contains two pieces for double-manual harpsichord: Concerto nach Italienischen Gusto (Concerto in the Italian taste, now known at the Italian Concerto, BWV 971), and Ouvertüre nach Französischer Art (Overture in the French Style, or simply the French Overture, BWV 831).

That Sebastian chose to pair these two works in the same publication paid homage to the old tradition (by his time) for composers to seek a harmonious way (or perhaps take sides) between the perceived opposition of French and Italian musical styles – an argument that had been carried on in European musical circles for centuries. This discussion is a part of Sebastian’s œuvre too, and was influenced by the work of his contemporary François Couperin (1668-1733) and his “les Goûts réunis” or “reunited tastes”, which was published in 1724. Although Sebastian and Couperin never met, they corresponded with each other. The subjects of their letters has long been a tantalizing mystery to Bach scholars, as the letters were subsequently used as lids for jam pots and thus destroyed. Since Couperin had died two years before Clavier-Übung II was published, it is possible that in his own way, Sebastian also intended the volume as an homage to Couperin himself – or as a rebuttal or commentary on the various merits of each style .

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16th Annual Mozart Birthday Concerts

Wolfgang Amadeus Mozart ~ posthumous portrait by Barbara Krafft, 1819 (click images to enlarge)

This month, Roger Wiesmeyer’s Mozart in Nashville will present concert celebrations to honor the Austrian composer Wolfgang Amadeus Mozart’s 261st birthday. This annual tradition features an ensemble of local musicians – including members of the Nashville Symphony, free-lance professionals, and amateurs – who perform two benefit concerts for a local charity featuring music by Amadeus, who was born on January 27, 1756.

The 2018 concerts will take place:

Friday, January 19, noon, at St. George’s Episcopal Church, 4715 Harding Road, Nashville.

Monday, January 22, 7 pm, at Edgehill United Methodist Church, 1502 Edgehill Avenue, Nashville.

This year’s concerts feature:

Evening Mood (Abendempfindung, K. 523)
The Violet (Das Veilchen, K. 476)
Longing for Spring (Sehnsucht nach dem Frühling, K. 596)
Claire Boling, soprano
Roger Wiesmeyer, piano

Laudamus Te from Great Mass in C minor, K. 427
Claire Boling, soprano
Mozart Birthday Festival Orchestra
Matthew Phelps, conductor

Piano Concerto No. 27 in B flat Major, K. 595
Roger Wiesmeyer, piano
Mozart Birthday Festival Orchestra
Matthew Phelps, conductor

These special events will benefit the Children’s Kindness Network, who are at the forefront of countering bullying and teaching kindness and empathy to our youngest citizens.

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