Walter Bitner

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Monthly Archives: January 2017

Accelerando Auditions 2017

Accelerando wind students Isabel Evernham, Bernard Ekwuazi, and Aalia Hanif at MTSBOA MidState Band, January 21, 2017

(l to r) Accelerando winds students Isabel Evernham, Bernard Ekwuazi, and Aalia Hanif at MTSBOA MidState Band, January 21, 2017 ~ photo courtesy of Shahnela Hanif

Tonight, January 24, 2017, Nashville Symphony EDCE staff will hold our first of three public information meetings for students interested in auditioning this year for the symphony’s award-winning Accelerando program. Tonight’s public meeting will be held at Casa Azafrán at 7 pm.

Founded in 2016,  Accelerando is designed to prepare gifted young students of diverse backgrounds to pursue music at the collegiate level and beyond. Accelerando seeks to create professional opportunities for musicians from ethnic communities underrepresented in today’s orchestras by providing them with instruction, mentorship, performance experience and assistance applying to music schools. With access to the resources of a major American orchestra, these students will be able to realize their full potential and will form the next generation of orchestra musicians.

Our inaugural class of six students from grades 7 – 10 entered the program in the fall of 2016; we are seeking to grow our enrollment to a total of eleven students in 2017. Please help spread the word about this unique, ground-breaking program and help us find these students!


Attaingnant’s Lute Books

facsimile of Attaingnant's Tres brevet familiere introduction... (1529) by Editions Minkoff, Geneva, 1988

facsimile of Attaingnant’s Tres breue et famílíere introductíon… (1529) by Editions Minkoff, Geneva, 1988 (click to enlarge)

The Lute Part XI

continued from
Music Printer to the King: Pierre Attaingnant

In 1529, Pierre Attaingnant published the first book of lute tablature to be issued in France: Tres breue et famílíere introduction pour entendre & apprendre par soy mesmes a iouer toutes chansons reduictes en la tablature du Lutz. (Brief and simple introduction for understanding and learning for oneself how to play any song reduced to tablature for the lute.) Hereafter: Introduction.

This first volume of lute pieces to be printed in France – a collection of preludes and chansons – was followed less than four months later by a second volume – Dixhuit basses dances: 18 basses dances as well as branles, pavanes, galliards, and other dances in lute tablature.

Together, these two small books comprise the humble beginning of the long tradition of French lute music, which was eventually to dominate the solo lute repertoire throughout the continent. By the middle of the 17th century, “French lute” would represent the apotheosis of refined expression in instrumental music and the repertoire of the French lutenists would in turn influence the fledgling keyboard repertoire… but that’s getting considerably ahead of our story.


Music Printer to the King: Pierre Attaingnant

The Lute Part X

portrait of Francis I of France (1494-1547) c.1530 by Jean Clouet (1475-1540)

portrait of Francis I of France (1494-1547) c.1530 by Jean Clouet (1475-1540), Louvre Museum, Paris (click to enlarge)

The French Renaissance is sometimes called the “long sixteenth century” by historians to describe a period from the end of the 15th through the beginning of the 17th centuries. During this period, the arts and culture flourished anew as France imported humanism, artistic ideals, and their proponents from Italy and adapted them according to French tastes and aesthetics. In the first half of the 16th century the French King Francis I  – François Premier – was a great patrons of the arts and the epitome of the renaissance monarch: a poet himself, it was under his reign (1515 – 1547) that this cultural transformation took place most dramatically.

It was also during the reign of Francis I that the very first printed music books appeared in France – including the first printed lute books.


Introducing Kimberly McLemore, Accelerando Manager

Kimberly Kraft McLemore, Accelerando Manager, Nashville Symphony

Kimberly Kraft McLemore, Accelerando Manager, Nashville Symphony

2017 is upon us! and Education and Community Engagement staff at the Nashville Symphony are very busy with preparations for our upcoming Young People’s Concerts in January and February,  Curb Concerto Competition on February 25 & 26, and our second season of Accelerando auditions.

Founded in 2016, the Nashville Symphony’s Accelerando initiative is designed to prepare gifted young students of diverse backgrounds to pursue music at the collegiate level and beyond.


Families interested in learning more about Accelerando are invited to attend one of three public meetings with Nashville Symphony staff:

  • 7-8:30 pm January 24 at Casa Azafrán, 2195 Nolensville Pike, Nashville
  • 7-8:30 pm February 2 at Hartman Park Community Center, 2801 Tucker Rd., Nashville
  • 7-8:30 pm February 16 at Casa Azafrán, 2195 Nolensville Pike, Nashville

Click here for Application Information & Audition Requirements.

The deadline to apply for 2017 Accelerando Auditions is February 17, 2017.

Kelley, Kristen, and I are thrilled to welcome Kimberly Kraft McLemore to the symphony’s Education and Community Engagement staff. This week I sat down with Kimberly to speak about the experience she brings to her new role as Accelerando Manager.


Walter’s Caesar Salad




Saturday night Caesar

This article is about the noble Caesar Salad, and how to make it my way. If you like romaine, garlic, and lemon, read on.

Caesar Salad has been around nearly a hundred years now. It was invented by an Italian chef named Caesar Cardini although if and when he did so is has been the subject of argument among his family and those who worked in his restaurants. Many have said it dates back to the 1920s.

I don’t remember exactly when I first started making it at home, but it was sometime in the 1990s. It was around that time that I came across my grandfather’s recipe for “Walt’s Caesar Salad” in the Bitner family cookbook.


15th Annual Mozart Birthday Concerts

(l to r) Nashville Symphony musicians Gil Perel & Roger Wiesmeyer

Wolfgang Amadeus Mozart was born on January 27, 1756. For the 15th consecutive year, Roger Wiesmeyer’s Mozart in Nashville will present concert celebrations in honor of the Austrian wunderkind’s birthday. As in years past, this year’s events feature an ensemble of local musicians – including members of the Nashville Symphony, free-lance professionals, and amateurs – who will perform two benefit concerts for a local charity featuring music by Amadeus.

This year’s concerts will take place:

Friday, January 13, noon, at St. George’s Episcopal Church, 4715 Harding Road, Nashville.

Monday, January 23, 7 pm, at Edgehill United Methodist Church, 1502 Edgehill Avenue, Nashville.

This year’s concerts feature:

Piano Sonata in B flat Major, K. 333
Roger Wiesmeyer, piano solo

Bassoon Concerto in B flat Major, K. 191/186e
Gil Perel, bassoon solo
Mozart Birthday Festival Orchestra

Proceeds will benefit the Mary Parrish Center for victims of domestic abuse and sexual violence.