100 Years of Jack Vance
Jack Vance playing banjo and kazoo, San Francisco, 1979 ~ photo by Hayford Peirce
Today is the birthday of the American writer Jack Vance (1916 – 2013). If Jack were still with us he’d be 100 years old today: it’s his Centennial! Jack’s books have given me countless hours of amusement, wonder, and escape over the last four decades, since I first found The Dying Earth on a paperback rack at a local drug store in Camillus, New York. I paid $1.75 for the slender volume of loosely connected stories, took it home, and was miraculously transported to the strange far-future fantasy inhabited by Turjan of Miir and Pandelume, the lovely but unfortunate T’sais, Guyal of Sfere – and of course, Chun the Unavoidable. The next week I returned to the drug store and found The Eyes of the Overworld, and trudged with Cugel and Firx across a strange and outlandish world, often laughing at Cugel’s intrepid antics or cringing at his relentless scheming. I was hooked. Jack’s stories were an unfailing source of delight and as I got older his characters became a part of my interior world, with whom I could find respite at times from the stress and pressures of my daily life.
Announcing the Accelerando Inaugural Class
from my Instagram feed: the first class of Accelerando poses with Nashville Symphony music director Giancarlo Guerrero, August 20, 2016
This month saw the end of a long and thorough audition process that began on March 12 and led to the selection of our first ever class of students who are beginning the Accelerando program this fall. Speaking on my own behalf and that of the Nashville Symphony and our community partners: we are thrilled!
Our first class of Accelerando students represents the dynamic diversity of Middle Tennessee well: each of the six students in grades 7 -10 attends a different school, two in Rutherford County and the other four at Metro Nashville Public Schools. Our inaugural class of student instrumentalists collectively play violin, viola, flute, bassoon, and trombone, and will begin weekly lessons with Nashville Symphony musicians in September, as part of a comprehensive scholarship program of activities to prepare them for music school at the college level.
Corinne Bailey Rae at The Cannery Ballroom
from my instagram feed: Corinne Bailey Rae at the Cannery Ballroom, Nashville, August 16, 2016
On Tuesday night my son and I heard Corinne Bailey Rae‘s performance at The Cannery Ballroom here in Nashville – the sixth stop on the first leg of her 2016 world tour.
I’ve admired Corinne’s music since I was introduced to her many years ago, but this was the first time I heard her sing live. It was a wonderful, moving experience.
Parents, Students, & Teachers: Provide Feedback to Tennessee Department of Education on ESSA
Grannis Photography
If you are concerned about changes to education law and how the Every Student Succeeds Act will be implemented, please take the time to contribute your voice to the discussion. I am passing along the message below from our friends at the Tennessee Arts Commission on behalf of arts educators across Tennessee who worked hard this summer to gather relevant and appropriate recommendations together:
We have four days people!
The Count
Music City Youth Orchestra students warm up before a concert, May 22, 2011, Schermerhorn Symphony Center, Nashville
The Count is a concentration exercise – a group activity – that I used with my student ensembles in the last few minutes before going on stage for a performance. It is a very useful thing to do! and became something of a special ritual with my ensembles.
I didn’t invent The Count, although I had never heard it called by any name before my students began calling it this. I first encountered it in the early 1990s when I witnessed Ellen Provost, a teacher at Blue Rock School, use it with a group of 6th graders before the performance of a play – I believe it was either The Conference of the Birds or Monkey. I began using it myself at Carrollwood Day School years later, and it was at CDS that it became a regular practice – something I always did with my students before a performance, if possible, for the rest of my teaching career.
In Dulci Jubilo
the opening of In dulci jubilo, Piæ Cantiones, 1582
Part of a series of articles on
Preparing a School Winter Solstice Performance
In dulci jubilo is a famous medieval Christmas carol. It is a macaronic carol (i.e. the text is in a mixture of languages): the original text alternates between German and Latin. The words are attributed to the German mystic (and student of Meister Eckhart) Heinrich Seuse (1295 – 1366), and describes his vision of singing angels dancing with him.
It is one of our oldest, loveliest, and most important carols. The lilting, singsongy, exuberant melody and the relative ease with which they were able to learn it made it popular with my students of all ages – from elementary through high school. Although not a piece I included as an annual repeating feature of Winter Solstice performances, I would program In dulci jubilo every few years, and most of my students sang or played it in a Winter Solstice production at some point.
Walter Bitner 