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Dowland on CD: A Survey of the Solo Lute Recordings: Part II

McFarlane, Ronn, 1991. Lute Music of John Dowland. Dorian DOR-90148.

The Lute Appendix iv b

Continued from
Dowland on CD: A Survey of the Solo Lute Recordings: Part I

 

(Throughout this appendix,
* indicates a recording I have not heard.)

 

Dedicated Recitals on Single Discs

As with the complete editions, three lutenists have recorded entire CDs dedicated to Dowland’s solo lute music:

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How to Listen to Music

If you need assistance in the art of listening to music, here are some suggestions.

 

All recipes have been thoroughly examined and are approved by the Off The Podium Real World Music Listening Test Kitchen.

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Attaingnant’s Lute Books

facsimile of Attaingnant's Tres brevet familiere introduction... (1529) by Editions Minkoff, Geneva, 1988

facsimile of Attaingnant’s Tres breue et famílíere introductíon… (1529) by Editions Minkoff, Geneva, 1988 (click to enlarge)

The Lute Part XI

continued from
Music Printer to the King: Pierre Attaingnant

In 1529, Pierre Attaingnant published the first book of lute tablature to be issued in France: Tres breue et famílíere introduction pour entendre & apprendre par soy mesmes a iouer toutes chansons reduictes en la tablature du Lutz. (Brief and simple introduction for understanding and learning for oneself how to play any song reduced to tablature for the lute.) Hereafter: Introduction.

This first volume of lute pieces to be printed in France – a collection of preludes and chansons – was followed less than four months later by a second volume – Dixhuit basses dances: 18 basses dances as well as branles, pavanes, galliards, and other dances in lute tablature.

Together, these two small books comprise the humble beginning of the long tradition of French lute music, which was eventually to dominate the solo lute repertoire throughout the continent. By the middle of the 17th century, “French lute” would represent the apotheosis of refined expression in instrumental music and the repertoire of the French lutenists would in turn influence the fledgling keyboard repertoire… but that’s getting considerably ahead of our story.

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The Lute Society of America Summer Seminar West, 1996

masterclass with Paul O'Dette, Lute Society of America Summer Seminar West, Vancouver Early Music Festival 1996

masterclass with Paul O’Dette, Lute Society of America Summer Seminar West, Vancouver Early Music Festival 1996

The Lute Appendix iii

In the summer of 1996, I attended The Lute Society of America‘s Summer Seminar West in Vancouver, BC. The event took place from July 29 – August 2, 1996 at the Vancouver Early Music Festival held at The University of British Columbia.

Earlier this month the LSA held the 2016 summer seminar at Case Western Reserve University in Cleveland, and as my FaceBook feed was briefly inundated with photos and videos that attendees posted on the LSA FaceBook Group, I found myself reminiscing about my experience in Vancouver twenty years ago. It was one of the most memorable weeks of my life.

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