Walter Bitner

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Tag Archives: Classical Music

Accelerando on Nashville Public Television

Nashville Symphony music director Giancarlo Guerrero poses with Accelerando students, August 20, 2016 ~ from Arts Break, Nashville Public Television

Nashville Symphony music director Giancarlo Guerrero poses with Accelerando students, August 20, 2016 ~ from Arts Break, Nashville Public Television

Nashville Public Television (WNPT) featured the Nashville Symphony’s award-winning Accelerando program on the station’s weekly feature Arts Break this week. The three minute segment premiered Thursday night, October 6, and will run again on Sunday morning October 9 after Volunteer Gardener (around 9:55am).

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Felix Wang and the Nashville Concerto Orchestra Perform Michael Rose’s Cello Concerto

Michael Rose and Felix Wang

Michael Rose and Felix Wang

On Wednesday, October 19 at 12 pm, the Nashville Concerto Orchestra will give the first and second performances of Michael Rose‘s concerto for cello and orchestra Sedentary Dances in its full orchestration. Felix Wang – who premiered the concerto in January 2013 in its initial version with Michael playing a reduction of the orchestration at the piano – will again perform the cello solo, and the orchestra will be conducted by Joseph Lee. The concert will take place in the sanctuary of West End United Methodist Church, Nashville.

Last week I spoke with Michael and Felix, and with Roger Wiesmeyer, who is the founder and inspirer for the Nashville Concerto Orchestra – and is so often found at the heart of classical music happenings in Music City.

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Nashville Symphony Seeks Accelerando Manager

AccelerandoPhoto1The Nashville Symphony seeks a full-time Manager for our ground-breaking Accelerando program, to begin employment in January 2017.

Accelerando is an intensive education program designed to prepare gifted young students from under represented ethnic communities for pursuing music at the collegiate level and beyond. Accelerando seeks to create professional opportunities for these students by providing them with instruction, mentorship, performance experience, and assistance with applying for music schools.

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Introducing the Nashville Choral Consortium

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NashChor: Music City’s New Choral Music Resource

“I wished there was one place where I could go to see all the choral events happening in Nashville and Middle Tennessee – church, university, show, evensongs, youth choirs, everything.” says Tucker Biddlecombe.

If you don’t know Tucker you’re probably not a choral singer in Nashville, Tennessee: he is the Director of Choral Activities at Blair School of Music at Vanderbilt, and this fall begins his tenure as Interim Director of the Nashville Symphony Chorus.

“I’ve observed that many times our organizations schedule events on top of one another, significantly reducing our audiences and creating various conflicts for singers.” he says. “I have some web savvy, so I built a new website: NashChor.org, the Nashville Choral Consortium.

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SOUNDCHECK: $10 Tickets for All Students

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Registration opens today for the Nashville Symphony’s SOUNDCHECK student access ticket program for the 2016-17 season, beginning with our performances of Gustav Mahler’s Second Symphony, September 22 – 24. SOUNDCHECK provides $10 tickets to all Aegis Sciences Classical Series performances for ALL students, K – 12 through university and graduate school.

$10 student tickets are limited to one per student and are available for purchase beginning two weeks prior to each applicable concert up until show time.

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Masterclass with Simone Porter, October 27

Simone Porter

Simone Porter

The celebrated young violinist Simone Porter will be joining the Nashville Symphony this fall for two performances of Samuel Barber’s spectacular Violin Concerto under the direction of music director Giancarlo Guerrero on October 28 & 29.

We’re thrilled to announce that in addition to performing with the symphony, Simone Porter will hold a masterclass for pre-college violin on Thursday, October 27 from 7 – 8:30 pm on the stage of Laura Turner Hall at Schermerhorn Symphony Center. Students, parents, and teachers are invited to make reservations and plan to attend this very special event – and violin students who have not yet graduated from high school are encouraged to submit an application to perform in the masterclass.

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Announcing the Accelerando Inaugural Class

from my Instagram feed: the first class of Accelerando poses with Nashville Symphony music director Giancarlo Guerrero, August 20, 2016

from my Instagram feed: the first class of Accelerando poses with Nashville Symphony music director Giancarlo Guerrero, August 20, 2016

This month saw the end of a long and thorough audition process that began on March 12 and led to the selection of our first ever class of students who are beginning the Accelerando program this fall. Speaking on my own behalf and that of the Nashville Symphony and our community partners: we are thrilled!

Our first class of Accelerando students represents the dynamic diversity of Middle Tennessee well: each of the six students in grades 7 -10 attends a different school, two in Rutherford County and the other four at Metro Nashville Public Schools. Our inaugural class of student instrumentalists collectively play violin, viola, flute, bassoon, and trombone, and will begin weekly lessons with Nashville Symphony musicians in September, as part of a comprehensive scholarship program of activities to prepare them for music school at the college level.

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In Dulci Jubilo

InDulciJubilo

the opening of In dulci jubilo, Piæ Cantiones, 1582

Part of a series of articles on
Preparing a School Winter Solstice Performance

In dulci jubilo is a famous medieval Christmas carol. It is a macaronic carol (i.e. the text is in a mixture of languages): the original text alternates between German and Latin. The words are attributed to the German mystic (and student of Meister Eckhart) Heinrich Seuse (1295 – 1366), and describes his vision of singing angels dancing with him.

It is one of our oldest, loveliest, and most important carols. The lilting, singsongy, exuberant melody and the relative ease with which they were able to learn it made it popular with my students of all ages – from elementary through high school. Although not a piece I included as an annual repeating feature of Winter Solstice performances, I would program In dulci jubilo every few years, and most of my students sang or played it in a Winter Solstice production at some point.

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Personent Hodie

PersonentHodie

Part of a series of articles on
Preparing a School Winter Solstice Performance

Personent Hodie is a medieval Christmas carol. The form in which it comes down to us was first published in Piæ Cantiones, a collection of medieval Latin songs that were sung at the cathedral school in Turku (Finland). It was compiled by Jaakko Suomalainen, a Finnish clergyman, and published in 1582. The carol’s melody is very similar to a hymn found in a German manuscript from 1360, and it is assumed that Personent Hodie dates from the mid-14th century.

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The Lute Society of America Summer Seminar West, 1996

masterclass with Paul O'Dette, Lute Society of America Summer Seminar West, Vancouver Early Music Festival 1996

masterclass with Paul O’Dette, Lute Society of America Summer Seminar West, Vancouver Early Music Festival 1996

The Lute Appendix iv

In the summer of 1996, I attended The Lute Society of America‘s Summer Seminar West in Vancouver, BC. The event took place from July 29 – August 2, 1996 at the Vancouver Early Music Festival held at The University of British Columbia.

Earlier this month the LSA held the 2016 summer seminar at Case Western Reserve University in Cleveland, and as my FaceBook feed was briefly inundated with photos and videos that attendees posted on the LSA FaceBook Group, I found myself reminiscing about my experience in Vancouver twenty years ago. It was one of the most memorable weeks of my life.

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