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Nashville School of the Arts Mummer’s Play
Part of a series of articles on
Preparing a School Winter Solstice Performance
Nashville School of the Arts Mummer’s Play
compiled by Walter Bitner from original sources
and from an original play by Walter Bitner & Jody Kruskal, 1995
Cast:
Fool
Father Christmas
Johnny Jack
Hobby Horse
Dragon
Mayor
Saint George
Doctor
Townspeople
* * *
Fool
Room, room, make room,
NSA friends and families all!
Pray, give us room to rhyme!
We come to show activity
In this glorious wintertime!
Activity of youth!
Activity of age!
Such activity as you’ve never seen on stage.
Fieldston Outdoors Mummer’s Play
Part of a series of articles on
Preparing a School Winter Solstice Performance
Fieldston Outdoors Mummer’s Play
by Walter Bitner & Jody Kruskal, 1995
Cast:
Fool
Johnny Jack
Mayor
Dragon
Saint George
Hobby Horse
Doctor
Townspeople
* * *
Fool
(Sweeping the stage)
Room, room, make room, Fieldston campers all!
Pray, give us room to rhyme!
Our play we wish to share with you
In this glorious summertime!
So enter, Johnny Jack I say!
And tell us, what are we doing here today? (more…)
In Comes I
The Student Mummer’s Play
Part of a series of articles on
Preparing a School Winter Solstice Performance
The climactic feature of my student winter solstice performance was a traditional English mummer’s play, featuring students in all of the roles. I first saw mummer’s plays at Christmas Revels productions in New York City in the early 1990s – in fact they are the only mummer’s plays I have seen (performed live) besides the ones I produced with my students. I don’t think that this tradition is very well known in the United States, and I enjoyed introducing it to my students and their families.
Off The Podium Published in Choral Director Magazine
I’m thrilled to share here that my column Off The Podium made its first appearance this week in the October 2016 issue of Choral Director magazine. Off The Podium will be a regular component of Choral Director going forward, featuring the kinds of articles about music education I have been posting here on my blog since March 2015.
And as if this weren’t sweet enough: to launch my column with a splash, I am also featured on the cover!
Accelerando on Nashville Public Television

Nashville Symphony music director Giancarlo Guerrero poses with Accelerando students, August 20, 2016 ~ from Arts Break, Nashville Public Television
Nashville Public Television (WNPT) featured the Nashville Symphony’s award-winning Accelerando program on the station’s weekly feature Arts Break this week. The three minute segment premiered Thursday night, October 6, and will run again on Sunday morning October 9 after Volunteer Gardener (around 9:55am).
Nashville Symphony Seeks Accelerando Manager
The Nashville Symphony seeks a full-time Manager for our ground-breaking Accelerando program, to begin employment in January 2017.
Accelerando is an intensive education program designed to prepare gifted young students from under represented ethnic communities for pursuing music at the collegiate level and beyond. Accelerando seeks to create professional opportunities for these students by providing them with instruction, mentorship, performance experience, and assistance with applying for music schools.
The Rhinoceros
Why you shouldn’t always tell your students the truth
For more than half of my teaching career, I taught music & performing arts at elementary or K-8 schools – six of these schools in all, with a wide range of approaches to education between them. One common aspect among all my experiences at these schools, however, is that I spent the majority of my time at each school – thousands upon thousands of hours of my life – as the only adult in the room, in front of a group of children. We spent most of our time together singing or playing music, dancing, rehearsing plays, or working on developing our skills to do these things, but over the years we had a lot of interesting and sometimes amazing conversations – both on and off topic.
Early in my career I began to practice intentionally not answering all of their questions, hoping to spur their imaginations and spirit of inquiry, and that they would develop the habit of trying to find things out for themselves. My experience was that often students would come up with very interesting and insightful ideas about the world if I could refrain from shutting down the possibilities that opened with a question by slapping a pat answer on it.
Sometimes, especially with younger elementary school children (K – 3 or so), I took this practice a step further, and intentionally told them things that weren’t true. The story of “The Rhinoceros” that I told to first grade students at Carrollwood Day School when I taught there from 1999 – 2003 is the tallest example of these tales that I told over the years, and became something of a tradition and a legend there among the students, some of whom would even corroborate my story and help maintain the myth among the younger students once they discovered I had been leading them on.
SOUNDCHECK: $10 Tickets for All Students
Registration opens today for the Nashville Symphony’s SOUNDCHECK student access ticket program for the 2016-17 season, beginning with our performances of Gustav Mahler’s Second Symphony, September 22 – 24. SOUNDCHECK provides $10 tickets to all Aegis Sciences Classical Series performances for ALL students, K – 12 through university and graduate school.
$10 student tickets are limited to one per student and are available for purchase beginning two weeks prior to each applicable concert up until show time.
Masterclass with Simone Porter, October 27
The celebrated young violinist Simone Porter will be joining the Nashville Symphony this fall for two performances of Samuel Barber’s spectacular Violin Concerto under the direction of music director Giancarlo Guerrero on October 28 & 29.
We’re thrilled to announce that in addition to performing with the symphony, Simone Porter will hold a masterclass for pre-college violin on Thursday, October 27 from 7 – 8:30 pm on the stage of Laura Turner Hall at Schermerhorn Symphony Center. Students, parents, and teachers are invited to make reservations and plan to attend this very special event – and violin students who have not yet graduated from high school are encouraged to submit an application to perform in the masterclass.
The Count

Music City Youth Orchestra students warm up before a concert, May 22, 2011, Schermerhorn Symphony Center, Nashville
The Count is a concentration exercise – a group activity – that I used with my student ensembles in the last few minutes before going on stage for a performance. It is a very useful thing to do! and became something of a special ritual with my ensembles.
I didn’t invent The Count, although I had never heard it called by any name before my students began calling it this. I first encountered it in the early 1990s when I witnessed Ellen Provost, a teacher at Blue Rock School, use it with a group of 6th graders before the performance of a play – I believe it was either The Conference of the Birds or Monkey. I began using it myself at Carrollwood Day School years later, and it was at CDS that it became a regular practice – something I always did with my students before a performance, if possible, for the rest of my teaching career.





