“I’m really excited about our final pair of concerts this season!” said Christopher Norton, music director of the Nashville Philharmonic, Music City’s volunteer community orchestra. “There are so many connections to the Nashville community inherent in this program, and it encompasses the Nashville Philharmonic’s commitment to education, outreach, and the advancement of the arts.”
Last week I spoke with Dr. Norton and the soloists who are featured on the upcoming programs on May 7 and May 9, including the winners of the NPO’s 2017 concerto and composition competitions.
Singing canons is a wonderful way to help young singers develop independence, sing harmony and polyphony, and all with material that takes much less time to learn than music cast in more than one part. In strict canon, everyone sings the same part: we all learn the same melody and text together, and once it’s solid split up the group, start singing it at different times, and presto! musical magic.
Canons can be simple enough for very young children to learn in a few minutes or so challenging that professional choirs must exert considerable effort to sing them well. With a broad repertoire of canons on the tip of her tongue, the skilled music teacher is ready to make or teach satisfying music with students of any level, for any occasion, at any time or place.
Over the course of my teaching career I taught dozens of canons to students of all ages: rounds with students beginning in Kindergarten, catches with more experienced singers (usually by third grade). We sang canons about everything: happy and sad canons, silly canons, canons about love, animals, God, food, about music itself. Canons in English, Latin, French, German, Russian. Canons. One of the most important canons I tried to teach to all of my students over the years is the ancient Sumer Is Icumen In, which I have written in detail about here.
Another fabulous canon which I taught to hundreds of students from elementary through high school, and which is the subject of today’s article, is the indignant and difficult “chiding” catch Fie, Nay, Prithee John by the great Henry Purcell. And yes, by teaching this song, I taught my students to swear.
Music City’s unique Nashville Concerto Orchestra will present their fourth concert next Saturday, April 15, bringing full circle the NCO’s first annual cycle of seasonal concerts that began with their Summer 2016 concert last June.
This week I spoke with the orchestra’s founder Roger Wiesmeyer and this concert’s soloists about the upcoming program and the special opportunities this ensemble provides.
Today, the Nashville Symphony announced that Vinay Parameswaran will be leaving his position as Associate Conductor here to become Assistant Conductor at The Cleveland Orchestra. Vinay leaves Nashville in June to assume his new responsibilities. It has been our privilege to work closely with Vinay on many education and community programs in the last couple years, and I know I speak on behalf of the entire EDCE department – and everyone here at the Nashville Symphony – in expressing how much we will miss him. Vinay is a tremendously talented, insightful, and positive musician and it has been a joy to collaborate with him.
Last week Vinay and I sat down for an hour to reminisce about his time at the Nashville Symphony and reviewed some of the highlights of the last several years.