Walter Bitner

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16th Annual Mozart Birthday Concerts

Wolfgang Amadeus Mozart ~ posthumous portrait by Barbara Krafft, 1819 (click images to enlarge)

This month, Roger Wiesmeyer’s Mozart in Nashville will present concert celebrations to honor the Austrian composer Wolfgang Amadeus Mozart’s 261st birthday. This annual tradition features an ensemble of local musicians – including members of the Nashville Symphony, free-lance professionals, and amateurs – who perform two benefit concerts for a local charity featuring music by Amadeus, who was born on January 27, 1756.

The 2018 concerts will take place:

Friday, January 19, noon, at St. George’s Episcopal Church, 4715 Harding Road, Nashville.

Monday, January 22, 7 pm, at Edgehill United Methodist Church, 1502 Edgehill Avenue, Nashville.

This year’s concerts feature:

Evening Mood (Abendempfindung, K. 523)
The Violet (Das Veilchen, K. 476)
Longing for Spring (Sehnsucht nach dem Frühling, K. 596)
Claire Boling, soprano
Roger Wiesmeyer, piano

Laudamus Te from Great Mass in C minor, K. 427
Claire Boling, soprano
Mozart Birthday Festival Orchestra
Matthew Phelps, conductor

Piano Concerto No. 27 in B flat Major, K. 595
Roger Wiesmeyer, piano
Mozart Birthday Festival Orchestra
Matthew Phelps, conductor

These special events will benefit the Children’s Kindness Network, who are at the forefront of countering bullying and teaching kindness and empathy to our youngest citizens.

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15th Annual Mozart Birthday Concerts

(l to r) Nashville Symphony musicians Gil Perel & Roger Wiesmeyer

Wolfgang Amadeus Mozart was born on January 27, 1756. For the 15th consecutive year, Roger Wiesmeyer’s Mozart in Nashville will present concert celebrations in honor of the Austrian wunderkind’s birthday. As in years past, this year’s events feature an ensemble of local musicians – including members of the Nashville Symphony, free-lance professionals, and amateurs – who will perform two benefit concerts for a local charity featuring music by Amadeus.

This year’s concerts will take place:

Friday, January 13, noon, at St. George’s Episcopal Church, 4715 Harding Road, Nashville.

Monday, January 23, 7 pm, at Edgehill United Methodist Church, 1502 Edgehill Avenue, Nashville.

This year’s concerts feature:

Piano Sonata in B flat Major, K. 333
Roger Wiesmeyer, piano solo

Bassoon Concerto in B flat Major, K. 191/186e
Gil Perel, bassoon solo
Mozart Birthday Festival Orchestra

Proceeds will benefit the Mary Parrish Center for victims of domestic abuse and sexual violence.

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14th Annual Mozart’s Birthday Concerts

detail from a portrait of Wolfgang Amadeus Mozart, painted in 1782 by his brother in law Joseph Lange. Mozart wrote the C minor piano concerto in the winter of 1785-86

detail from a portrait of Wolfgang Amadeus Mozart, painted in 1782 by his brother in law Joseph Lange. Mozart wrote the C minor piano concerto in the winter of 1785-86

This month Roger Wiesmeyer and an ensemble of local musicians – many of them members of the Nashville Symphony – will perform two benefit concerts for a local charity featuring music by Wolfgang Amadeus Mozart, as Roger has done every year at this time since 2003.

This year’s concerts will take place:

Friday, January 15, noon, at St. George’s Episcopal Church, 4715 Harding Road, Nashville.

Sunday, January 31, 6 pm, at Edgehill United Methodist Church, 1502 Edgehill Avenue, Nashville.

This year’s concert features the C minor piano concerto, K. 491 conducted by Vinay Parameswaran with Roger as piano soloist. Admission is $10, and all proceeds benefit The Contributor.

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Roger Wiesmeyer Plays Mozart

Roger Wiesmeyer

Roger Wiesmeyer

“I just adore it.” says Roger Wiesmeyer, speaking of Mozart’s Piano Concerto No. 24 in C minor, K. 491. “I’ve never played it on piano before. I’ve sat in the orchestra for performances of this concerto three or four times and every time it just completely captures my imagination, for at least the week after – I’ll have at least two weeks of living with it and thinking about it all the time. There is this incredible mood that Mozart casts with this piece.”

A few days ago Roger and I sat down after a rehearsal to talk about this piece, which we will be collaborating together to perform this week.  Roger will be performing the solo piano part – the part originally played by Amadeus himself – and I am playing a reduction of the orchestra’s part on second piano for the first and third movements.  The second movement – a slow Larghetto – will be performed by Roger joined by Nashville Symphony musicians Kate Ladner, flute; Jeremy Williams, violin; and Keith Nicholas, cello in a quartet arrangement by Johann Nepomunk Hummel, an Austrian composer and pianist who was a contemporary of Beethoven.

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Solfège With Amadeus

SolfegePart4Part 4 of a 4-Part Series

Go to Part 1: The Joy of Solfège

Go to Part 2: The Legacy of Guido d’Arezzo

Go to Part 3: Teaching Music With Solfège

This Epilogue to my series of posts on Solfège recounts examples of solfège exercises I used in high school choir rehearsals, some anecdotes about singing Mozart’s Requiem on solfège syllables, and some unexpected things we learned from doing this.

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