Walter Bitner

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Tag Archives: Classical Music

Blair School of Music: Adult Summer Chamber Music Institute 2018

Adult Chamber Music Institute 2017, Blair School of Music, Vanderbilt University, Nashville

 

Following up on their success last summer, Vanderbilt University’s Blair School of Music will host the second Adult Summer Chamber Music Institute in July. This special four-day program is the only one of its kind in our area (as far as I know) – a unique opportunity for adult amateur string players to come together and make music in an intimate setting with the guidance of some of the finest string music educators in Nashville.

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Side By Side 2018

Curb Youth Symphony musicians (Kaili Wang and Maggie Kasinger, concertmasters) begin rehearsal for the annual Side By Side Concert ~ May 14, 2018, Schermerhorn Symphony Center, Nashville (click photos to enlarge)

On May 15, Curb Youth Symphony and the Nashville Symphony combined forces on the stage of Laura Turner Hall for our annual Side By Side concert. Curb Youth Symphony is directed by Carol Nies, and this year’s Side By Side event was conducted for the second year in a row by Nashville Symphony Music Director & Conductor Giancarlo Guerrero. On Monday and Tuesday last week, we enjoyed sharing our symphony home with many of Middle Tennessee’s most accomplished teenage musicians, as they rehearsed and performed alongside our own Nashville Symphony musicians as we prepared for and enjoyed this much anticipated annual event.

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The Lute at the Court of Henry VIII 

The Lute Part XII

Unknown Man with Lute by Hans Holbein the younger (1497/8 – 1543), Berlin, Gemäldegalerie ~ American musicologist John Ward speculated that this might be Philip van Wilder, but David Van Edwards has cast doubt on this theory here. (click images to enlarge)

When Henry VIII (1491 – 1547) ascended to the throne of England in 1509, the lute did not play the prominent role in English society and culture it would come to hold by the end of the 16th century. In addition to his matrimonial activities, waging war in France, and reforming the church, it is well known that Henry VIII was an enthusiastic musician, and even composer. He invigorated and developed the musical aspects of life at the English court in the first half of the 16th century far beyond what they had been under previous English monarchs, employing dozens of musicians, including lutenists (or lewters, as they appear in contemporary account books).

Before Henry VIII, the English court was still heavily influenced by Burgundian culture, and use of the harp superseded the lute there until the end of the 15th century. The lute rose to prominence in England by the second half of the 16th century, lagging behind much of the continent by a couple of generations.

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SphinxConnect 2018

 

Last month I traveled to Detroit, Michigan for the 6th annual Sphinx conference – SphinxConnect – and 21st annual Sphinx Competition. SphinxConnect was held this year at the downtown Detroit Marriot at the Renaissance Center. This was the third year in a row I have attended the conference and competition, and my second as a speaker.

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Curb Concerto Competition Finalists 2018

2018 Curb Concerto Competition Finalists: (l to r) Sean Yang, Luke Turner, Maggie Kasinger, Joshua Stanczak, Shawn Zheng ~ photos by Kathleen Munkel (click to enlarge)

Last month the Nashville Symphony hosted our annual Curb Concerto Competition for students ages 14-18. The first round of the competition took place on Saturday, Februrary 24 and the finals round occurred on Sunday afternoon, February 25, which resulted in the selection of this year’s winner, who will perform with the Nashville Symphony at the annual Side By Side Concert with Curb Youth Symphony on May 15. The 2018 Side By Side Concert will be conducted by Nashville Symphony Music Director Giancarlo Guerrero, as it was last season. Reserve tickets to this special free concert here.

This year’s contestants included 18 fine young musicians from across Tennessee: 7 violinists, 4 pianists, 3 flute players, 2 cellists, and one student each on horn and alto saxophone. Both rounds of the competition took place on the stage of Laura Turner Hall at Schermerhorn Symphony Center.

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BACHanalia 2018

The 12th annual BACHanalia – our city’s annual Bach festival – will be held on Friday, March 16 from 4 – 10 pm at Christ Church Cathedral, 900 Broadway in downtown Nashville. Once a year, musicians from many parts of our community come together to present this unique six-hour concert-without-pause devoted to Sebastian’s music, generously hosted by our friends at the cathedral in their beautiful sanctuary.

BACHanalia is one of the highlights of the musical year in Music City.

Once again this year, I was given a special glimpse of the program in advance of this year’s concert, which I leak to you here, Off The Podium readership. We’re in for a tremendous evening of music-making!

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The Italian Concerto

 

In 1735, when Sebastian was 50 years old, he published his second volume of keyboard works, Clavier-Übung II (“Keyboard Practice II”). It contains two pieces for double-manual harpsichord: Concerto nach Italienischen Gusto (Concerto in the Italian taste, now known at the Italian Concerto, BWV 971), and Ouvertüre nach Französischer Art (Overture in the French Style, or simply the French Overture, BWV 831).

That Sebastian chose to pair these two works in the same publication paid homage to the old tradition (by his time) for composers to seek a harmonious way (or perhaps take sides) between the perceived opposition of French and Italian musical styles – an argument that had been carried on in European musical circles for centuries. This discussion is a part of Sebastian’s œuvre too, and was influenced by the work of his contemporary François Couperin (1668-1733) and his “les Goûts réunis” or “reunited tastes”, which was published in 1724. Although Sebastian and Couperin never met, they corresponded with each other. The subjects of their letters has long been a tantalizing mystery to Bach scholars, as the letters were subsequently used as lids for jam pots and thus destroyed. Since Couperin had died two years before Clavier-Übung II was published, it is possible that in his own way, Sebastian also intended the volume as an homage to Couperin himself – or as a rebuttal or commentary on the various merits of each style .

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Accelerando Auditions 2018

Accelerando students with John Williams, September 8, 2017, Schermerhorn Symphony Center, Nashville (click images to enlarge)

Beginning next week, Nashville Symphony EDCE staff will hold a series of public information meetings for students interested in auditioning this year for the symphony’s award-winning Accelerando program. Students selected through this year’s audition process will join the program in August 2018.

Founded in 2016,  Accelerando is designed to prepare gifted young students of diverse backgrounds to pursue music at the collegiate level and beyond. Accelerando seeks to create professional opportunities for musicians from ethnic communities underrepresented in today’s orchestras by providing them with instruction, mentorship, performance experience and assistance applying to music schools. With access to the resources of a major American orchestra, these students will be able to realize their full potential and will form the next generation of orchestra musicians.

We are seeking to grow our current enrollment of nine students to a total of sixteen students in 2018-19. Please help spread the word about this unique, ground-breaking program and help us find these students!

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16th Annual Mozart Birthday Concerts

Wolfgang Amadeus Mozart ~ posthumous portrait by Barbara Krafft, 1819 (click images to enlarge)

This month, Roger Wiesmeyer’s Mozart in Nashville will present concert celebrations to honor the Austrian composer Wolfgang Amadeus Mozart’s 261st birthday. This annual tradition features an ensemble of local musicians – including members of the Nashville Symphony, free-lance professionals, and amateurs – who perform two benefit concerts for a local charity featuring music by Amadeus, who was born on January 27, 1756.

The 2018 concerts will take place:

Friday, January 19, noon, at St. George’s Episcopal Church, 4715 Harding Road, Nashville.

Monday, January 22, 7 pm, at Edgehill United Methodist Church, 1502 Edgehill Avenue, Nashville.

This year’s concerts feature:

Evening Mood (Abendempfindung, K. 523)
The Violet (Das Veilchen, K. 476)
Longing for Spring (Sehnsucht nach dem Frühling, K. 596)
Claire Boling, soprano
Roger Wiesmeyer, piano

Laudamus Te from Great Mass in C minor, K. 427
Claire Boling, soprano
Mozart Birthday Festival Orchestra
Matthew Phelps, conductor

Piano Concerto No. 27 in B flat Major, K. 595
Roger Wiesmeyer, piano
Mozart Birthday Festival Orchestra
Matthew Phelps, conductor

These special events will benefit the Children’s Kindness Network, who are at the forefront of countering bullying and teaching kindness and empathy to our youngest citizens.

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2017: What Kind of Blog Is This?

Off The Podium Reflections, Statistics, and Top Ten Posts

In what is becoming an annual tradition, here I review my experience writing Off The Podium over the course of the year and share some statistics. We will also see if I have learned anything and I will attempt to describe what this blog – which sometimes goes off in unexpected directions – is all about.

2017 was a very full year, packed with many significant events and activities. Off The Podium continues to provide a great means to share the activities of the department of Education & Community Engagement at the Nashville Symphony with the world. It also remains a productive format that has inspired me to continue to develop my writing on the topics of Music and Education – these features of Off The Podium reach thousands of readers all over the world and  have brought me into contact with many musicians and educators I would otherwise have had no opportunity to meet or correspond with.

Thank you everyone for your continued encouragement and support.

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