Walter Bitner

Home » 2016 (Page 4)

Yearly Archives: 2016

The Lute Society of America Summer Seminar West, 1996

masterclass with Paul O'Dette, Lute Society of America Summer Seminar West, Vancouver Early Music Festival 1996

masterclass with Paul O’Dette, Lute Society of America Summer Seminar West, Vancouver Early Music Festival 1996

The Lute Appendix iv

In the summer of 1996, I attended The Lute Society of America‘s Summer Seminar West in Vancouver, BC. The event took place from July 29 – August 2, 1996 at the Vancouver Early Music Festival held at The University of British Columbia.

Earlier this month the LSA held the 2016 summer seminar at Case Western Reserve University in Cleveland, and as my FaceBook feed was briefly inundated with photos and videos that attendees posted on the LSA FaceBook Group, I found myself reminiscing about my experience in Vancouver twenty years ago. It was one of the most memorable weeks of my life.

(more…)

Olga Scheps: 2016 Update & Satie

Olga2015byUwe Arens

photo by Uwe Arens

The most remarkable pianist of her generation – Russian-born Olga Scheps, who was raised and resides in Germany – has continued this year to develop her repertoire and career in surprising directions. I first wrote about Olga nearly a year ago, upon the release of Vocalise, her fifth CD for Sony. That article – Meet Olga Scheps – includes biographical notes, links to some videos of her performances, and an overview of her discography.

The last year has been busy for Olga – in addition to her concertizing, she has just released another disc – so I decided to write a review of some of her recent activities, and about her new recording, Satie.

(more…)

Learn Their Names First

The Name-Learning Stunt®

preparing young singers for a performance, Blue Rock School, 1994

preparing young singers for a performance, Blue Rock School, 1994

I urge every teacher who works with groups of children to do this. At the beginning of the school year, or whenever you are beginning to work with a group of students you do not know for the first time – or perhaps a group that is a new constellation, some of whom you know and some you do not – take the time to learn all of their names right from the beginning, and make a special effort to do so. It will take some time and effort, but will reap big rewards in the long run and begin your relationship with the students on a sound footing by demonstrating concretely that you care about them.

It occurred to me to write about this yesterday. I was making a “guest appearance” at a summer choral music day camp to work with a group of students I did not know – I was given a 45 minute period in which to bring them some singing activities. Without any consideration at all I planned to begin my work with them with the name-learning stunt (described below) that I developed at the beginning of my career, and which I used invariably whenever I found myself in front of a new group of students. I did this even though it used up several precious minutes of my brief 45 minute window, because I knew that if I did this first, the rest of the class would go so much better.

(more…)

The Richness of Difference

Baltimore Symphony Youth Orchestra Concert Orchestra, MayAnn Poling, conductor, performs Respighi at the opening ceremonies of the League of American Orchestras annual conference ~ June 9, 2016, Joseph Meyerhoff Symphony Hall, Baltimore

Baltimore Symphony Youth Orchestra Concert Orchestra, MaryAnn Poling, conductor, performs Respighi at the opening ceremonies of the League of American Orchestras annual conference ~ June 9, 2016, Joseph Meyerhoff Symphony Hall, Baltimore

Last week the League of American Orchestras held our industry association’s 71st annual conference in Baltimore. The national event was hosted by the Baltimore Symphony Orchestra and brought hundreds of representatives from orchestras across the country – as well as other related organizations – to share dialogue, strategies, networking, and of course music, in several packed days of intense conversation.

I was there for the entire conference, not only as a first-time attendee, but as a speaker – it was my honor to represent Music City and to share about the Nashville Symphony’s groundbreaking Accelerando program with orchestra education and community engagement staff, El Sistema educators, and other interested parties from across the country.

(more…)

Introducing the Nashville Concerto Orchestra

from my instagram feed: Roger Wiesmeyer plays Mozart, 14th annual Mozart's Birthday Concert, January 31, 2016, Edgehill United Methodist Church, Nashville

from my instagram feed: Roger Wiesmeyer plays Mozart, 14th annual Mozart’s Birthday Concert, January 31, 2016, Edgehill United Methodist Church, Nashville

Coming Soon

Roger Wiesmeyer’s multi-faceted role in the Nashville classical music scene has long been a important presence in our community. Born in Nashville, Roger grew up here and attended Hillsboro High School and Blair School of Music before going away to school at Curtis Institute and on to positions in the Pittsburgh, San Francisco and Honolulu symphonies. He returned to Nashville in 2001 to become the Nashville Symphony’s english horn player. In addition to his work as an oboist and english horn player, Roger is an accomplished pianist, and he has presented annual concerts to celebrate Mozart’s birthday every year since 2003.

This month Roger is launching a new project – and gift – to Music City: the Nashville Concerto Orchestra.

(more…)

Education & Community Engagement at the Nashville Symphony: Spring 2016 Review

from my instagram feed: Nashville Symphony Education & Community Engagement staff toast the symphony's Grammy win: (l to r) WB, Margie Way-Kiani, Kelley Bell, Kristen Freeman, March 24, 2016

from my instagram feed: Nashville Symphony Education & Community Engagement staff toast the symphony’s 2016 Grammy win: (l to r) WB, Margie Way-Kiani, Kelley Bell, Kristen Freeman, March 24, 2016

After an unusually cool spring for Nashville, the weather is starting to heat up just in time for our annual “symphony under the stars” parks concerts which begin on Thursday, June 2 at Centennial Park (for the full schedule of Community Concerts click here).

So this is a good place for a brief pause to look back on our activities in the department of Education & Community Engagement at the Nashville Symphony since January. A lot has happened since I posted my review of our fall 2015 activities: it’s been a very busy spring! This post is a summary of what we’ve been up to ~ in many cases I have already written articles about specific programs or events mentioned here: for more details, follow the links:

(more…)

Side By Side 2016

The Nashville Symphony and Curb Youth Symphony perform the annual Side By Side concert, May 19, 2016, Schermerhorn Symphony Center, Nashville

The Nashville Symphony and Curb Youth Symphony perform the annual Side By Side concert, May 19, 2016, Schermerhorn Symphony Center, Nashville

Last night, Thursday, May 19, the Nashville Symphony hosted the annual Side By Side concert with Curb Youth Symphony. With some 150 musicians on stage, I believe this was the largest orchestra I have ever heard on the stage of Laura Turner Hall. Curb Youth Symphony is directed by Carol Nies, and the annual Side By Side event was conducted by Nashville Symphony Associate Conductor Vinay Parameswaran. It included an afternoon and evening of rehearsals on Wednesday – including the traditional pizza party in the break – and Thursday night’s concert.

(more…)

Silence

emptystaffEmptiness at the Heart of Music

So often when we speak or write about music – when we practice, when we listen or perform – the focus of our attention is on the notes being played. These notes, their pitches and rhythmic accuracy, the articulation and tone with which they are produced, how fast or slow they come one after another, how they blend with those being played by others if we are playing in an ensemble: these notes and the attention we pay to them form the basis of so much of our work as musicians.

Yet there is another element to music making that is just as essential as the notes: silence. Silence is there before the music begins and continues after it ends. Silence punctuates the spaces between the notes and exists even as the notes are sounding, buoying the notes up like foam on the crests of waves on the surface of the ocean. Silence isn’t just the absence of sound. It is what gives music perspective and depth, and the power to penetrate deep into the psyche of the listener.

Without silence, there is no music.

(more…)

2016 Bruno Walter National Conductor Preview

BrunoWalterConductorPreview-Rotator

Next Wednesday, May 11 at 7 pm, the Nashville Symphony and the League of American Orchestras will host the most prestigious event of its kind in North America – right here in Nashville, at Schermerhorn Symphony Center.

This is a FREE concert and is open to the public.

(more…)

Homecoming 2016: Thank You, Nashville Children’s Choir

James Wells leads the combined choirs of the Nashville Children's Choir Program + Alumni, as Madeline Bridges leads the audience in "Sol-Fa Calypso" at Homecoming 2016, April 30, 2016, First Baptist Church, Nashville

Touring Choir co-director James Wells leads the combined choirs of the Nashville Children’s Choir Program + Alumni, as Program Director Madeline Bridges leads the audience in “Sol-Fa Calypso” at Homecoming 2016, April 30, 2016, First Baptist Church, Nashville

On Saturday, April 30, 2016, the Nashville Children’s Choir Program held their annual spring concert, as they have every year for more than 25 years. This year’s performance was even more touching than previous years’ performances – not only was the concert the culmination of the year’s rehearsals presented by the more than 250 singers in the program’s 4 choirs. In addition, some 80 alumni – including many in their 20s and 30s – joined the choirs for the day to rehearse a very special “Homecoming” program presented that afternoon that included singers who participated in NCC in the past as well as currently enrolled choristers.

(more…)