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The Forest presents Pink Floyd’s The Dark Side of the Moon, Part 2
The Forest at The Barbershop Theater, Nashville, October 31, 2018. (l to r) WB, Kate Atanian, Ryan Middagh, Eric Brewer, Andrew Guinn, Mario Galati, Michael McLemore, Alex Blizniak, Danesa Harper, Kari Leigh Ames, Brian Hull (click images to enlarge)
Continued from Part 1
Taking it apart in order to put it all together
Concurrent with all the logistics and planning for the show’s “big picture”, I spent time last summer trying to figure out exactly what keyboards I would need to be able to play the show and how they would be set up.
The Forest presents Pink Floyd’s The Dark Side of the Moon, Part 1
The Forest performs Pink Floyd’s The Dark Side of the Moon at The Barbershop Theater, November 1, 2018 (l to r) Michael McLemore, Alex Blizniak, Eric Brewer, Andrew Guinn, Danesa Harper, Kate Atanian, Walter Bitner, Ryan Middagh (click images to enlarge)
In 2018, I found myself playing in a rock band for the first time in over thirty years. This is what happened!
On The Dark Side of the Moon Part 3
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On The Dark Side of the Moon
Part 2
The Dark Side of the Moon
Side B
Money
The sound effects loop that Roger Waters made in his garden shed from coins jangling, paper ripping, and other cash-related sounds begins the B side of The Dark Side of the Moon, followed almost immediately by Water’s driving bass line – one of the most distinctive and instantly recognizable in the history of rock. Money was Pink Floyd’s most successful single from the album, and like many rock hits, it is based on a twelve-bar blues. The resemblance ends there, however: Money is set in the dark and serious key of B minor, with seven beats to the bar.
Money‘s three verses are a cocky paean to greed, a caricature of capitalist values. Waters lays the irony on thickly: clearly living one’s life in pursuit of money for its own sake or for the luxuries that great wealth can bring may interfere with the attempt to live consciously. Do greed and a distraction with materialism proceed from the irrational part of human nature?
On The Dark Side of the Moon Part 2
continued from
On The Dark Side of the Moon
Part 1
The Dark Side of the Moon
Side A
Speak To Me
The opening track is a brief sound collage, little more than a minute long, which introduces and foreshadows some of the album’s themes in the manner of an overture. The opening heartbeat draws the listener into an intimate relationship with the music from the very beginning. It is nearly half a minute before snippets of sounds hint at what’s to come: clocks ticking (Time), a cash register (Money), the rotor sound effect (On The Run), lunatic laughter, and the first spoken words “I’ve been mad for fucking years, absolutely years” introduce the album’s primary themes as the sounds overlap, increase in volume, and build to a climax that features a woman screaming into
On The Dark Side of the Moon Part 1
“All you touch and all you see
is all your life will ever be.”
~ Roger Waters, Breathe
Forty-five years after its release, Pink Floyd‘s monumental The Dark Side of the Moon remains the most important musical document on the human condition in the history of rock music. It is arguably the most important musical recording ever made to address its subject matter: universal humanist themes that include the finite compass of human experience, the passage of time, death, greed, conflict, insanity, and the irrational.
Walter Bitner 