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Saturday, November 13, 2021 at 6 pm
The 5 Spot, 1006 Forrest Avenue, Nashville 37206
$10 / COVID restrictions apply
Although the upheavals of the last two years have brought many difficulties and challenges to my life, as they have to everyone else’s, there have also been some silver linings. Any major dude will tell you.
This is the story of a silver lining.
The Forest, our band formed initially in 2018 to perform Pink Floyd’s The Dark Side of the Moon, reunites for a double bill with Hooteroll? at Nashville’s The 5 Spot on November 13, 2021. This will be the first time I’ve performed with The Forest since we performed with Hooteroll? at The 5 Spot on July 20, 2019, on the 50th anniversary of Neil Armstrong’s moonwalk. (more…)
I came to the Japanese Garden because I thought it would be serene here. I’m having a bad day, and spending some quiet time alone in the peaceful environment of manicured footpaths and miniature bridges, gentle streams, colorful fish and artfully arranged rocks will help me to feel better. I’ll sit quietly in the bosom of nature like a Buddha. Everything will be ok. (more…)
In 2018, I found myself playing in a rock band for the first time in over thirty years. This is what happened!
The Dark Side of the Moon
The sound effects loop that Roger Waters made in his garden shed from coins jangling, paper ripping, and other cash-related sounds begins the B side of The Dark Side of the Moon, followed almost immediately by Water’s driving bass line – one of the most distinctive and instantly recognizable in the history of rock. Money was Pink Floyd’s most successful single from the album, and like many rock hits, it is based on a twelve-bar blues. The resemblance ends there, however: Money is set in the dark and serious key of B minor, with seven beats to the bar.
Money‘s three verses are a cocky paean to greed, a caricature of capitalist values. Waters lays the irony on thickly: clearly living one’s life in pursuit of money for its own sake or for the luxuries that great wealth can bring may interfere with the attempt to live consciously. Do greed and a distraction with materialism proceed from the irrational part of human nature?
The Dark Side of the Moon
Speak To Me
The opening track is a brief sound collage, little more than a minute long, which introduces and foreshadows some of the album’s themes in the manner of an overture. The opening heartbeat draws the listener into an intimate relationship with the music from the very beginning. It is nearly half a minute before snippets of sounds hint at what’s to come: clocks ticking (Time), a cash register (Money), the rotor sound effect (On The Run), lunatic laughter, and the first spoken words “I’ve been mad for fucking years, absolutely years” introduce the album’s primary themes as the sounds overlap, increase in volume, and build to a climax that features a woman screaming into
“All you touch and all you see
is all your life will ever be.”
~ Roger Waters, Breathe
Forty-five years after its release, Pink Floyd‘s monumental The Dark Side of the Moon remains the most important musical document on the human condition in the history of rock music. It is arguably the most important musical recording ever made to address its subject matter: universal humanist themes that include the finite compass of human experience, the passage of time, death, greed, conflict, insanity, and the irrational.