Walter Bitner

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Accelerando Auditions 2018

Accelerando students with John Williams, September 8, 2017, Schermerhorn Symphony Center, Nashville (click images to enlarge)

Beginning next week, Nashville Symphony EDCE staff will hold a series of public information meetings for students interested in auditioning this year for the symphony’s award-winning Accelerando program. Students selected through this year’s audition process will join the program in August 2018.

Founded in 2016,  Accelerando is designed to prepare gifted young students of diverse backgrounds to pursue music at the collegiate level and beyond. Accelerando seeks to create professional opportunities for musicians from ethnic communities underrepresented in today’s orchestras by providing them with instruction, mentorship, performance experience and assistance applying to music schools. With access to the resources of a major American orchestra, these students will be able to realize their full potential and will form the next generation of orchestra musicians.

We are seeking to grow our current enrollment of nine students to a total of sixteen students in 2018-19. Please help spread the word about this unique, ground-breaking program and help us find these students!

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16th Annual Mozart Birthday Concerts

Wolfgang Amadeus Mozart ~ posthumous portrait by Barbara Krafft, 1819 (click images to enlarge)

This month, Roger Wiesmeyer’s Mozart in Nashville will present concert celebrations to honor the Austrian composer Wolfgang Amadeus Mozart’s 261st birthday. This annual tradition features an ensemble of local musicians – including members of the Nashville Symphony, free-lance professionals, and amateurs – who perform two benefit concerts for a local charity featuring music by Amadeus, who was born on January 27, 1756.

The 2018 concerts will take place:

Friday, January 19, noon, at St. George’s Episcopal Church, 4715 Harding Road, Nashville.

Monday, January 22, 7 pm, at Edgehill United Methodist Church, 1502 Edgehill Avenue, Nashville.

This year’s concerts feature:

Evening Mood (Abendempfindung, K. 523)
The Violet (Das Veilchen, K. 476)
Longing for Spring (Sehnsucht nach dem Frühling, K. 596)
Claire Boling, soprano
Roger Wiesmeyer, piano

Laudamus Te from Great Mass in C minor, K. 427
Claire Boling, soprano
Mozart Birthday Festival Orchestra
Matthew Phelps, conductor

Piano Concerto No. 27 in B flat Major, K. 595
Roger Wiesmeyer, piano
Mozart Birthday Festival Orchestra
Matthew Phelps, conductor

These special events will benefit the Children’s Kindness Network, who are at the forefront of countering bullying and teaching kindness and empathy to our youngest citizens.

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2017: What Kind of Blog Is This?

Off The Podium Reflections, Statistics, and Top Ten Posts

In what is becoming an annual tradition, here I review my experience writing Off The Podium over the course of the year and share some statistics. We will also see if I have learned anything and I will attempt to describe what this blog – which sometimes goes off in unexpected directions – is all about.

2017 was a very full year, packed with many significant events and activities. Off The Podium continues to provide a great means to share the activities of the department of Education & Community Engagement at the Nashville Symphony with the world. It also remains a productive format that has inspired me to continue to develop my writing on the topics of Music and Education – these features of Off The Podium reach thousands of readers all over the world and  have brought me into contact with many musicians and educators I would otherwise have had no opportunity to meet or correspond with.

Thank you everyone for your continued encouragement and support.

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Education & Community Engagement at the Nashville Symphony: Fall 2017 Review

Nashville Symphony EDCE staff with special guest after the Gala dress rehearsal, September 8, 2017 ~ (l to r) Kimberly McLemore, WB, John Williams, Kelley Bell, Kristen Freeman (click images to enlarge)

It’s been a busy fall, packed with a cornucopia of education and community engagement activities at the Nashville Symphony. This is my bi-annual review of our department’s programming, just in time to wrap up the year!

 

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Handel’s Messiah at the Nashville Symphony

The Nashville Symphony and the Nashville Symphony Chorus gather onstage moments before a performance of Handel’s Messiah, December 18, 2016, Schermerhorn Symphony Center, Nashville (click images to enlarge)

This weekend the Nashville Symphony and the Nashville Symphony Chorus will present Handel’s Messiah, one of the most beloved and most often performed works in the concert repertoire. This season’s performances will be led by American conductor Gary Thor Wedow, who is esteemed for bringing a historically informed approach to opera stagings and performances of choral masterworks throughout North America. It has been exciting to be at the hall this week as the chorus and orchestra prepare for this exciting annual event.

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Christmas Oratorio at West End United Methodist

West End Chancel Choir and Orchestra, Matthew Phelps, conductor, perform Johann Sebastian Bach’s Christmas Oratorio Part 1, BWV 248 ~ December 3, 2017, West End United Methodist Church, Nashville (click images to enlarge)

 

When I first met Dr. Matthew Phelps nearly two years ago, one of the first things he shared with me was his desire to present Sebastian’s Christmas Oratorio BWV 248 at West End during the advent season. I was excited to hear this, since the Christmas Oratorio is rarely performed compared to Sebastian’s other large scale choral works like the Passions and the B minor Mass, and I had never heard it performed live before. So when I found out earlier this fall that it was happening this year, I marked my calendar and made sure I could be there. (more…)

Nashville Philharmonic to Perform Brahms’ Double & Vaughan Williams’ Serenade to Music

(click images to enlarge)

Next month, violinist Denise Baker and cellist Michael Samis will join the Nashville Philharmonic Orchestra directed by music director Christopher Norton in two performances of Johannes Brahms’ final orchestral work, the grand Double Concerto. The NPO’s annual December concerts this year will also include performances of Ralph Vaughan Williams’ Serenade to Music in a version featuring violin soloist Jessica Blackwell, a quartet of (vocal) soloists and the NPO Festival Chorus.

Among Nashville’s several volunteer community orchestras, the NPO is the largest and most well-established (now celebrating their 15th season), performs the most demanding and developed series of concerts each year, and has a strong network of relationships with the Nashville Symphony. Denise Baker and Jessica Blackwell – who serve as co-concertmasters of the NPO as well as violin soloists on the upcoming concerts – and are both members of the symphony, and several other symphony musicians provide support and coaching to NPO musicians.

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Chamber Music Series 2017-18 at the Nashville Symphony

Registration for free tickets to our next performance in the Nashville Series Chamber Music Series  featuring Roger Wiesmeyer is now open. In fact, the entire season’s programming for this series has been announced.

Formerly known as OnStage, this popular series of informal chamber music performances designed and performed by Nashville Symphony musicians has outgrown its previous format, and is now presented with attendees seated on the floor of the concert hall. The new setting will retain the relaxed and interactive concert experience that has made these events so popular with music lovers.

All Chamber Music Series concerts are presented in Laura Turner Hall at Schermerhorn Symphony Center. These events are free and open to the public, but you must have a ticket to attend.

Here is the schedule for this season’s remaining Chamber Music Series concerts:

 

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2017 Composer Lab & Workshop

Next month, the Nashville Symphony will host our second Composer Lab & Workshop, an unique opportunity for young composers to hear their music performed by the Nashville Symphony and receive mentoring and feedback from orchestra professionals.

Four young composers had been selected for this year’s three day event from November 13 – 15, one of whom may potentially earn a performance of their work on the Nashville Symphony’s 2018/19 Classical Series.

FREE tickets are available now! to a performance on November 14 at which the Nashville Symphony, under the baton of Music Director Giancarlo Guerrero, will conduct the selected work by each of this year’s Composer Lab Fellows.

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Peter and the Wolf

Soviet art depicting Peter and the Wolf ~ Peter is dressed in a Young Pioneer uniform (click images to enlarge)

It’s one of the most often performed works in the orchestral repertoire, and with good reason: Sergei Prokofiev’s Peter and the Wolf may be the most ingeniously composed piece of musical storytelling ever written for children.

This month, the Nashville Symphony performed Peter and the Wolf for thousands of local elementary school students as the featured work on this season’s Young People’s Concert for 3rd and 4th graders. I had not heard the piece for a while. Over the last couple weeks as I observed our superlative orchestra performing Prokofiev’s masterpiece for rapt audiences of children, I thought about the unique power of music to invigorate and develop a child’s imagination.
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