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Part 2 of 3
Continued from An Interview with Matthew Halls (Part 1)
Matthew Halls: I have many different feelings on this. The work that Peter Sellars did with the Berlin Philharmonic is wonderful – it’s inspiring, it gives you a new insight. I also saw an incredible realization by Deborah Warner (with the English National Opera), and Katie Mitchell’s done some work in this field as well. There seems to have been a trend in recent years to give dramatic presentations of Bach’s great sacred works.
Fundamentally, I have nothing against this. Any way we can present music from the distant past in a way which is going to make the presentation of the ideas more vivid for someone coming to see the piece for the first time: that gets a big gold star in my book! That a wonderful way of helping and reinterpreting the music of the past.
I think that it comes with the acknowledgement that I’m not quite sure what Bach would have made of it. But at the same time – this is the 21st century and we face different challenges. As long as the integrity of the music survives then I’m really interested and excited by all sorts of approaches to the music.