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The Lute Part XV
“To Attain So Excellent A Science”: John Dowland, Part I
His Adventures Abroad
I bent my course toward the famous prouinces of Germany, where I found both excellent masters, and most honorable Patrons of musicke: Namely, those two miracles of this age for vertue and magnificence, Henry Julio Duke of Brunswick, and learned Maritius Lantzgraue of Hessen, of whose princely vertues & fauors towards me I can neuer speake sufficiently. Neither can I forget the kindnes of Alexandro Horologio, aright learned master of musicke, seruant to the royall Prince the Lantzgraue of Hessen, & Gregorio Howet, Lutenist to the magnificent Duke of Brunswick, both whom I name as well for their loue to me, as also for their excellency in their faculties.
~ John Dowland
The First Books of Songes or Ayres (1597)
The Lute Part XIV
…happy they that in hell
feel not the world’s despite.
~ John Dowland
Flow, my tears
The English musician John Dowland (1563 – 1626) is the central figure in the history of the lute. Composer, lutenist, songwriter, translator, publisher, traveler, academic – four centuries later, Dowland appears larger than life, and in many ways his dreams and accomplishments eclipse those of his contemporaries. Yet Dowland was very much a man of his own time, and his ideals and struggles reflected the concerns, crises, and aspirations of the Elizabethans even as his music expresses universals that resonate deeply with musicians and audiences today.
The Lute Part XVIII
The English lutenist, teacher, and musicologist Diana Poulton, whose long and fruitful life spanned every decade of the twentieth century, is one of the most important figures in the history of the lute.
She was one of the first pioneers in the twentieth century reawakening of interest in the lute. Her contributions include hundreds of radio broadcasts of solo lute music over the BBC beginning in 1926, annual performances at Alfred Dolmetch’s Haslemere Festival between the World Wars, and the founding of The Lute Society with Ian Harwood in 1956.
Her most profound legacies are the pantheon of lutenists who studied with her privately and at the Royal College of Music, and her works of dedication and scholarship devoted to the life and music of the composer with whom she will always be associated, John Dowland.