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One of the many aspects of my new position at the Richmond Symphony that I love is the opportunity to interact with students and staff of the symphony’s wonderful Youth Orchestra Program. On Tuesday afternoons, more than two hundred young musicians from metropolitan Richmond and beyond gather downtown to make music in five ensembles. When I arrived in Richmond to begin my new position back in August, the most advanced of these ensembles – Richmond Symphony Youth Orchestra (RSYO) had already begun rehearsals for the season, and the other four ensembles began their seasons within a few weeks of my arrival. Now as the weather turns colder and the holidays draw near, the anticipation and excitement among all involved are palpable as we prepare for the first performances of the season.
Pianist Eduardo Rojas will be joining the Richmond Symphony under the baton of Richmond Symphony Associate Conductor Chia-Hsuan Lin for performances of the Piano Concerto No. 1 in E-flat Major by Franz Liszt as part of our Altria Masterworks 3 on November 16 & 17 – click here to purchase tickets.
We’re thrilled to announce that in addition to performing with the symphony, Eduardo Rojas will teach a masterclass for student pianists at the University of Richmond on Friday, November 15 from 10:30 am to noon at Perkinson Recital Hall at the University of Richmond. Students, parents, teachers, friends: all are invited to attend this very special event, which is free and open to the public.
Soprano Brandie Sutton will be joining the Richmond Symphony under the baton of music director candidate Roderick Cox for performances of Samuel Barber’s Knoxville: Summer of 1915, Op. 24, and Depuis le jour from the opera Louise by Gustave Charpentier as part of our Altria Masterworks 2 on October 26 – click here to purchase tickets.
We’re thrilled to announce that in addition to performing with the symphony, Brandie Sutton will teach a masterclass for student vocalists at Virginia Commonwealth University on Friday, October 25 from noon – 1:15 pm at the James W. Black Music Center recital hall at VCU. Students, parents, teachers, friends: all are invited to attend this very special event, which is free and open to the public.
Walter’s Working Model
of the human being, the universe, and everything
with a view towards a philosophy of education
During the first week of June 2019, the Nashville Symphony hosted the 74th annual National Conference for the League of American Orchestras. This exciting event brought approximately 1200 orchestra staff from across North America, Europe, and beyond for four days of conversations, presentations, concerts, and more.
The League’s Education and Community Engagement constituency – EDCE staff at member orchestras from across the country and beyond – is one of the most active, and it has been my privilege to participate in sessions at several previous conferences with my colleagues. As it was our turn to host these activities this year, we focused a spotlight on the Nashville Symphony’s innovative Accelerando program.
In the contemporary climate of data-driven education, you don’t hear much about inspiration in the popular rhetoric about music education and its role and purpose in the lives of children. But in fact the music teacher’s most important responsibility is to inspire her students.
This time of year I find myself attending many public events to mark and celebrate student accomplishments and transitions: award ceremonies, banquets, graduations. Due to my position, experience, reputation, (age? time of life?) – for whatever reason, I am increasingly being asked to speak at some of these events.
I always wonder what I should say. What do people want to hear? Why would anyone take my word for it?
At a ceremony I attended this week, several teachers – who were giving out awards to graduating seniors – gave what they described as unsolicited advice to those assembled, and I thought about what I believe it would be important to tell others about how to live their lives, if I were the sort of person who felt the impulse to do this.
This is what I came up with, on short notice.
For the third year in a row Vanderbilt University’s Blair School of Music will host the Adult Summer Chamber Music Institute in July. The only program of its kind in our area, this four-day celebration of chamber music brings together adult amateur string players with some of the finest string music educators in Nashville. It’s an exciting opportunity for chamber music enthusiasts that continues to grow in popularity and program offerings each year:
On Monday, March 25, 2019 the Nashville Symphony was thrilled to host The Third Annual Schermerhorn Invitational Choral Festival at the hall under the direction of Dr. Tucker Biddlecombe, Director of the Nashville Symphony Chorus and Director of Choral Activities at Vanderbilt University’s Blair School of Music. Six choirs from Middle Tennessee public high schools gathered for a day of music making with each other and Nashville Symphony musicians, which culminated in a performance for family and friends at the end of the afternoon.
A wonderful time was had by all!
As we have done each winter for more than twenty years, the Nashville Symphony hosted our annual Curb Concerto Competition for students ages 14-18 last month.
The first round of the competition took place on Saturday, Februrary 23 before a panel of Nashville Symphony musicians who selected three finalists. These three young soloists then proceeded to the finals round which was adjudicated by a different panel that took place the following afternoon, February 24. This year’s winner will perform with the Nashville Symphony at the annual Side By Side Concert with Curb Youth Symphony on May 7. The 2019 Side By Side Concert will be conducted by Nashville Symphony Assistant Conductor Enrico Lopez-Yańez.
Nineteen superlative young musicians from across Tennessee and beyond competed in this year’s competition: 6 flute players, 4 violinists, 3 pianists, 2 clarinetists, 2 saxophonists, and one student each on cello and bassoon. Both rounds took place on the stage of Laura Turner Hall at Schermerhorn Symphony Center.