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Like much of this part of the country, last week Nashville was hit by a record snow storm – the largest snowfall recorded here in the last 28 years. Between 5 and 10 inches fell on Friday and Saturday, depending on what part of town you live in (8 inches was the official recorded snowfall at Nashville International Airport).
When snow falls here the city shuts down. Not only do schools and businesses close, but it’s simply not safe to be on the roads. We have few plows and they only attempt to clear main roads, leaving most neighborhoods treacherous and ice-bound. My family did not leave our house on Friday or Saturday, except on foot to walk the dog or to scout out the state of neighboring streets.
So by Sunday afternoon, when the city had begun to thaw out, I was happy to make my way across town to hear an afternoon concert of old music performed in collaboration by two local ensembles.
This weekend I was reminded of the embarrassment of riches we have in Music City. The symphony presented fabulous concerts on Friday and Saturday, featuring two works by American composer Michael Daugherty, both recent and one (Tales of Hemingway for Cello and Orchestra with the incomparable Zuill Bailey) a world premiere, alongside standard repertoire by Beethoven and Stravinsky. On Sunday, Music City Baroque presented their 10th Anniversary Season Finale with a performance of the Vivaldi Gloria at St. George’s Episcopal Church, and West End United Methodist Church presented a performance of A German Requiem by Johannes Brahms featuring their Chancel Choir under the direction of Matthew Phelps, with Margy Bredemann, soprano, and Jonathan Carle, baritone. Both of Sunday’s concerts were free.