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On May 15, Curb Youth Symphony and the Nashville Symphony combined forces on the stage of Laura Turner Hall for our annual Side By Side concert. Curb Youth Symphony is directed by Carol Nies, and this year’s Side By Side event was conducted for the second year in a row by Nashville Symphony Music Director & Conductor Giancarlo Guerrero. On Monday and Tuesday last week, we enjoyed sharing our symphony home with many of Middle Tennessee’s most accomplished teenage musicians, as they rehearsed and performed alongside our own Nashville Symphony musicians as we prepared for and enjoyed this much anticipated annual event.
Beginning next week, Nashville Symphony EDCE staff will hold a series of public information meetings for students interested in auditioning this year for the symphony’s award-winning Accelerando program. Students selected through this year’s audition process will join the program in August 2018.
Founded in 2016, Accelerando is designed to prepare gifted young students of diverse backgrounds to pursue music at the collegiate level and beyond. Accelerando seeks to create professional opportunities for musicians from ethnic communities underrepresented in today’s orchestras by providing them with instruction, mentorship, performance experience and assistance applying to music schools. With access to the resources of a major American orchestra, these students will be able to realize their full potential and will form the next generation of orchestra musicians.
We are seeking to grow our current enrollment of nine students to a total of sixteen students in 2018-19. Please help spread the word about this unique, ground-breaking program and help us find these students!
Off The Podium Reflections, Statistics, and Top Ten Posts
In what is becoming an annual tradition, here I review my experience writing Off The Podium over the course of the year and share some statistics. We will also see if I have learned anything and I will attempt to describe what this blog – which sometimes goes off in unexpected directions – is all about.
2017 was a very full year, packed with many significant events and activities. Off The Podium continues to provide a great means to share the activities of the department of Education & Community Engagement at the Nashville Symphony with the world. It also remains a productive format that has inspired me to continue to develop my writing on the topics of Music and Education – these features of Off The Podium reach thousands of readers all over the world and have brought me into contact with many musicians and educators I would otherwise have had no opportunity to meet or correspond with.
Thank you everyone for your continued encouragement and support.
It’s been a busy fall, packed with a cornucopia of education and community engagement activities at the Nashville Symphony. This is my bi-annual review of our department’s programming, just in time to wrap up the year!
This weekend the Nashville Symphony and the Nashville Symphony Chorus will present Handel’s Messiah, one of the most beloved and most often performed works in the concert repertoire. This season’s performances will be led by American conductor Gary Thor Wedow, who is esteemed for bringing a historically informed approach to opera stagings and performances of choral masterworks throughout North America. It has been exciting to be at the hall this week as the chorus and orchestra prepare for this exciting annual event.
Registration for free tickets to our next performance in the Nashville Series Chamber Music Series featuring Roger Wiesmeyer is now open. In fact, the entire season’s programming for this series has been announced.
Formerly known as OnStage, this popular series of informal chamber music performances designed and performed by Nashville Symphony musicians has outgrown its previous format, and is now presented with attendees seated on the floor of the concert hall. The new setting will retain the relaxed and interactive concert experience that has made these events so popular with music lovers.
All Chamber Music Series concerts are presented in Laura Turner Hall at Schermerhorn Symphony Center. These events are free and open to the public, but you must have a ticket to attend.
Here is the schedule for this season’s remaining Chamber Music Series concerts:
Next month, the Nashville Symphony will host our second Composer Lab & Workshop, an unique opportunity for young composers to hear their music performed by the Nashville Symphony and receive mentoring and feedback from orchestra professionals.
Four young composers had been selected for this year’s three day event from November 13 – 15, one of whom may potentially earn a performance of their work on the Nashville Symphony’s 2018/19 Classical Series.
FREE tickets are available now! to a performance on November 14 at which the Nashville Symphony, under the baton of Music Director Giancarlo Guerrero, will conduct the selected work by each of this year’s Composer Lab Fellows.
It’s one of the most often performed works in the orchestral repertoire, and with good reason: Sergei Prokofiev’s Peter and the Wolf may be the most ingeniously composed piece of musical storytelling ever written for children.
This month, the Nashville Symphony performed Peter and the Wolf for thousands of local elementary school students as the featured work on this season’s Young People’s Concert for 3rd and 4th graders. I had not heard the piece for a while. Over the last couple weeks as I observed our superlative orchestra performing Prokofiev’s masterpiece for rapt audiences of children, I thought about the unique power of music to invigorate and develop a child’s imagination.
Here is your interactive, one-stop rundown of the Nashville Symphony’s 12th Annual Free Day of Music. This year’s event will be held on Saturday, October 21, as always at the Schermerhorn Symphony Center.
Performances showcasing more than 20 different musical acts will be presented on four stages located both inside and outside Schermerhorn. A diverse array of performers from throughout the community will present a wide range of musical styles including classical, country, rock, jazz, soul, world music and more. Follow the links below to learn more!
It is 1980, and I am 14 years old. I don’t know exactly when this happened but I feel sure it was in the summer or fall. I am standing before the record player I had received for Christmas a few years earlier, in my adolescent lair in the basement of my parent’s house in Camillus, New York. The turntable could be rotated on its side to hide within the wooden cabinet in which it was housed when not in use, and the spindle could accommodate up to 6 LPs at a time (by the time of this memory I had learned never to do this, with the hope of preserving the quality of my record collection as long as possible).
I have just unwrapped the 3 LP set Yessongs from its plastic shrink wrap and set the needle down on the record at the beginning of side A of the first LP. Yes was my favorite rock band when I was in high school (they still are) and I have saved up money from several weeks of early mornings on my bicycle delivering newspapers to buy this, only the second triple album in my collection (the first was Keith Jarrett’s Solo Concerts Bremen / Lausanne).
As I marvel at the stunning artwork by Roger Dean that not only adorns the cover but in fact nearly every surface of the package, what I hear at first are the sounds of an arena crowd anticipating a Yes concert to begin – Yessongs was the band’s first live album. But when the music begins, it isn’t Yes at all – instead I hear the tender horn solo over quiet tremolo chords in the strings that begins the Finale of Igor Stravinsky’s 1910 ballet score The Firebird.